English Shakesperian Criticism in the Eighteenth CenturyH.W. Wilson Company, 1932 - 300 sider |
Inni boken
Resultat 1-3 av 40
Side 118
... taste and great genius . " attacks the French critics of his day for their failure to make this distinchtion between the essential and the arbitrary , and attributes to it their inability to properly appreciate Shakespeare . Beattie ...
... taste and great genius . " attacks the French critics of his day for their failure to make this distinchtion between the essential and the arbitrary , and attributes to it their inability to properly appreciate Shakespeare . Beattie ...
Side 155
... taste can do otherwise . Marcourt : Ay , I thought so . You prefer his puns and quibbles to the wit and humour of Molière , I suppose ? Kitchen : No , Sir . - Bigotry is not the growth of this country , in literature any more than ...
... taste can do otherwise . Marcourt : Ay , I thought so . You prefer his puns and quibbles to the wit and humour of Molière , I suppose ? Kitchen : No , Sir . - Bigotry is not the growth of this country , in literature any more than ...
Side 279
... taste for beauty in nature . Shakespeare's works of highest value in this direction . Rare occurrence of power in both tragedy and comedy . Milton great only in sublimity . Swift and Butler great only in comic power . Shakespeare ...
... taste for beauty in nature . Shakespeare's works of highest value in this direction . Rare occurrence of power in both tragedy and comedy . Milton great only in sublimity . Swift and Butler great only in comic power . Shakespeare ...
Innhold
John Dennis 16571734 | 5 |
Nicholas Rowe 16741718 | 13 |
Charles Gildon 16651724 | 23 |
Opphavsrett | |
9 andre deler vises ikke
Andre utgaver - Vis alle
English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
English Shakesperian Criticism in the Eighteenth Century Herbert Spencer Robinson Utdragsvisning - 1968 |
Vanlige uttrykk og setninger
accept acter action Addison admiration Æschylus appreciation artistic attempt beauties Caliban characters classical Coleridge Colman comedy comic Coriolanus Corneille declares defects defence Dennis discussion dramatic dramatist Dryden edition English enthusiastic Essay Euripides excellence expression Falstaff faults feeling Gildon Greek Hamlet Hanmer Hazlitt Henry Henry IV historical Homer Hughes imagination importance interest John Johnson judgment Julius Caesar Kames King Lear lack Lear's learning literary Macbeth Mackenzie Merchant of Venice merits method Montagu moral Morgann nature Number observations original Othello passage passion plot poet poetic poetic justice poetry Pope Pope's praise Preface qualities regarded remarks Richard Richard III Richardson romantic Rowe Rowe's rules Rymer scene sentiments Shake Shakespeare Shakespeare's genius Shakesperian criticism soliloquy Sophocles speare speare's Spectator speech stage statement Steele's sublime superior taste Tatler textual criticism Theobald Thomas Purney tion tragedy tragic Unities verse violation Voltaire Voltaire's Warburton Warton Whately Witches writers Young's Zachary Grey