It is my design to render it manifest that no one point in its composition is referable either to accident or intuition — that the work proceeded, step by step, to its completion with the precision and rigid consequence of a mathematical problem. Die Kunst der Kunst: Metaästhetik - Side 168av Mihai Nadin - 1991 - 253 siderUten tilgangsbegrensning - Om denne boken
| 1855 - 1416 sider
...point in its composition is referible either to accident or intention — that the work proceeded, step by step, to its completion, with the precision...and rigid consequence of a mathematical problem." A mind capable of such Herculean energy might triumph over the most enormous obstacles. In the following... | |
| 1860 - 836 sider
...the quantity. Edgar Рое вауз of the composition of hia " Raven," that " the work proceeded, step by step, to its completion with the precision and rigid consequence of a mathematical problem." By even these few examples it will be seen what time, labor, and thought is required for the production... | |
| Andrew Kennedy Hutchison Boyd - 1867 - 400 sider
...one point in its composition is referable either to accident or intuition ; that the work proceeded step by step, to its completion, with the precision and rigid consequence of a mathematical problem. We shall give the several steps of the process by which, as its author assures us, The Raven was turned... | |
| 1874 - 794 sider
...with this repugnance, and he describes in curious detail how his best known poetical work " proceeded, step by step, to its completion with the precision and rigid consequence of a mathematical problem." Having his own words for justification, I will not hesitate to lay before the public what cannot fail... | |
| Edgar Allan Poe - 1876 - 522 sider
...point in its composition is referible either to accident or intuition — that the work proceeded, step by step, to its completion with the precision and rigid consequence of a mathematical problem. Let us dismiss, as irrelevant to the poem, per se, the circumstance — or say the necessity — which,... | |
| Edgar Allan Poe - 1879 - 336 sider
...point in its composition is referable either to accident or intuition — that the work proceeded, step by step, to its completion with the precision and rigid consequence of a mathematical problem. Let us dismiss, as irrelevant to the poem, per se, the circumstance — or say the necessity — which,... | |
| Edgar Allan Poe - 1882 - 430 sider
...point in its composition is referable either to accident or intuition — that the work proceeded, step by step, to its completion with the precision and rigid consequence of a mathematical problem. Let us dismiss, as irrelevant to the poem, per se, the circumstance — or say the necessity — which,... | |
| Edgar Allan Poe - 1882 - 226 sider
...point in its composition is referrible either to accident or intuition, — that the work proceeded, step by step, to its completion, with the precision and rigid consequence of a mathematical problem. Let us dismiss, as irrelevant to the poem, per se, the circumstance — or say the necessity — which,... | |
| William Swinton - 1885 - 620 sider
...point in its composition is referable either to accident or intuition, — that the work proceeded step by step to its completion, with the precision and rigid consequence of a mathematical problem. The initial consideration was that of extent. If any literary work is too long to be read at one sitting,... | |
| Edgar Allan Poe - 1885 - 150 sider
...master-piece The Raven, " is referrible either to accident or intuition" and "that the work proceeded, step by step, to its completion with the precision and rigid consequence of a mathematical problem." From the premises thus precisely laid down, Edgar Poe proceeds to trace step by step — phase by phase... | |
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