The Beauties-and-faults Criticism in the Neo-classical Period of English LiteratureStanford University, 1952 - 474 sider |
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Side 9
... concept " taste . " It was the good - na- tured critic , as opposed to the pedantic , carping caville r who was best ... concepts of " good nature " and " taste " grew in popularity . Chapter VII investigates the relationship be- tween ...
... concept " taste . " It was the good - na- tured critic , as opposed to the pedantic , carping caville r who was best ... concepts of " good nature " and " taste " grew in popularity . Chapter VII investigates the relationship be- tween ...
Side 194
... concept by identifying it with a mysterious sixth sense or poetic instinct through which fine spirits attain to those hidden charms of poetry that can be felt rather than described . By mid - century the term had ac- quired a subjective ...
... concept by identifying it with a mysterious sixth sense or poetic instinct through which fine spirits attain to those hidden charms of poetry that can be felt rather than described . By mid - century the term had ac- quired a subjective ...
Side 222
... concept of genius also included the idea of a unique and individual tempera- ment which could be judged , not by preconceived standards but only in terms of the peculiar combination of quali ties which make this particular poet what he ...
... concept of genius also included the idea of a unique and individual tempera- ment which could be judged , not by preconceived standards but only in terms of the peculiar combination of quali ties which make this particular poet what he ...
Innhold
INTRODUCTION | 6 |
CLASSICAL AND ITALIAN SOURCES | 9 |
THE CRITICAL DILEMMA | 16 |
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Addison aesthetic Alexander Pope ancients Aristotle attitude beau beauties beauties-and-blemishes beauties-and-faults criticism beauties-and-faults method beauty-blemish theory Bentley blemishes Boccalini Boileau canons chapter cism classical connection critical dilemma Critical Essays D. N. Smith defects defender Dennis discussion dissertation drama Dryden Dunciad eighteenth century element Elizabe Elizabethan emphasis England English critics expression faults French Gildon good-natured grace historical point Hooker Horace Horatian Ibid imagination important influence John Dennis John Vanbrugh Joseph Warton judge judgment literary criticism literature London Longinian Longinus Milton Modern Language Association Momus nature neo-classical neo-classicism notion Paradise Lost Parnasso passage passion pedantic critic pedantry Phalaris play poe try poem poet Poetical poetry point of view Pope popular Preface principle Ragguagli reason romantic Rymer sense seventeenth century Shaftesbury Shakespeare Criticism shows Spectator Spingam Spingarn spirit Studies sublime Temple Theobald tion Trajano Boccalini University verbal criticism W. H. Durham Welsted William Shakespear writers