The Beauties-and-faults Criticism in the Neo-classical Period of English LiteratureStanford University, 1952 - 474 sider |
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Side 18
... Imagination , in which he treats of the arts in their re- lation to the imagination and tries to explain aesthe tic pleasure in terms of Locke's psychology and philosophy.40 In Spectator 59241 Addison praises Longinus , Horace , 381bid ...
... Imagination , in which he treats of the arts in their re- lation to the imagination and tries to explain aesthe tic pleasure in terms of Locke's psychology and philosophy.40 In Spectator 59241 Addison praises Longinus , Horace , 381bid ...
Side 189
... imagination , unregulated by judgment , will only carry us into wild and extravagant deviations from it . A distinction which they make between two kinds of taste shows a development which the idea was undergoing at the time , probably ...
... imagination , unregulated by judgment , will only carry us into wild and extravagant deviations from it . A distinction which they make between two kinds of taste shows a development which the idea was undergoing at the time , probably ...
Side 214
... imaginative standard for the judgment of works of literature . The critic came to pay less attention to the faults of a work of art and more to its beauties . Eventually the lib- eral critic turned away altogether from the faults and ...
... imaginative standard for the judgment of works of literature . The critic came to pay less attention to the faults of a work of art and more to its beauties . Eventually the lib- eral critic turned away altogether from the faults and ...
Innhold
INTRODUCTION | 6 |
CLASSICAL AND ITALIAN SOURCES | 9 |
THE CRITICAL DILEMMA | 16 |
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Addison aesthetic Alexander Pope ancients Aristotle attitude beau beauties beauties-and-blemishes beauties-and-faults criticism beauties-and-faults method beauty-blemish theory Bentley blemishes Boccalini Boileau canons chapter cism classical connection critical dilemma Critical Essays D. N. Smith defects defender Dennis discussion dissertation drama Dryden Dunciad eighteenth century element Elizabe Elizabethan emphasis England English critics expression faults French Gildon good-natured grace historical point Hooker Horace Horatian Ibid imagination important influence John Dennis John Vanbrugh Joseph Warton judge judgment literary criticism literature London Longinian Longinus Milton Modern Language Association Momus nature neo-classical neo-classicism notion Paradise Lost Parnasso passage passion pedantic critic pedantry Phalaris play poe try poem poet Poetical poetry point of view Pope popular Preface principle Ragguagli reason romantic Rymer sense seventeenth century Shaftesbury Shakespeare Criticism shows Spectator Spingam Spingarn spirit Studies sublime Temple Theobald tion Trajano Boccalini University verbal criticism W. H. Durham Welsted William Shakespear writers