The Beauties-and-faults Criticism in the Neo-classical Period of English LiteratureStanford University, 1952 - 474 sider |
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Side 17
... sublime from all considerations of style and fixed attention rather upon its emo ti onal effect . attempted to establish sublime poetry upon enthusiastic emo- tion , unaware that he was beginning a line of thought which would eventually ...
... sublime from all considerations of style and fixed attention rather upon its emo ti onal effect . attempted to establish sublime poetry upon enthusiastic emo- tion , unaware that he was beginning a line of thought which would eventually ...
Side 18
... sublime indicate his discipleship.39 As Monk points out , with Addison the term " sublime " has no very definite me an- ing , though it always carries the emotional connotations com- mon in his day . In 1694 he was already hailing ...
... sublime indicate his discipleship.39 As Monk points out , with Addison the term " sublime " has no very definite me an- ing , though it always carries the emotional connotations com- mon in his day . In 1694 he was already hailing ...
Side 196
... sublime . It had become popular in England after Boileau's translation of the Peri Hups ous of Longinus in 1674 , and Dennis had gladly seized upon it since it gave him an ancient authority for some of the more liberal elements in his ...
... sublime . It had become popular in England after Boileau's translation of the Peri Hups ous of Longinus in 1674 , and Dennis had gladly seized upon it since it gave him an ancient authority for some of the more liberal elements in his ...
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INTRODUCTION | 6 |
CLASSICAL AND ITALIAN SOURCES | 9 |
THE CRITICAL DILEMMA | 16 |
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Addison aesthetic Alexander Pope ancients Aristotle attitude beau beauties beauties-and-blemishes beauties-and-faults criticism beauties-and-faults method beauty-blemish theory Bentley blemishes Boccalini Boileau canons chapter cism classical connection critical dilemma Critical Essays D. N. Smith defects defender Dennis discussion dissertation drama Dryden Dunciad eighteenth century element Elizabe Elizabethan emphasis England English critics expression faults French Gildon good-natured grace historical point Hooker Horace Horatian Ibid imagination important influence John Dennis John Vanbrugh Joseph Warton judge judgment literary criticism literature London Longinian Longinus Milton Modern Language Association Momus nature neo-classical neo-classicism notion Paradise Lost Parnasso passage passion pedantic critic pedantry Phalaris play poe try poem poet Poetical poetry point of view Pope popular Preface principle Ragguagli reason romantic Rymer sense seventeenth century Shaftesbury Shakespeare Criticism shows Spectator Spingam Spingarn spirit Studies sublime Temple Theobald tion Trajano Boccalini University verbal criticism W. H. Durham Welsted William Shakespear writers