The Beauties-and-faults Criticism in the Neo-classical Period of English LiteratureStanford University, 1952 - 474 sider |
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Side 183
... taste with the beauty - blemish theory of which Addison was the foremost exponent in the eighteenth century . After an extensive comparison between sensitive taste and intellectual taste , Addison explains the final test of taste , 59 ...
... taste with the beauty - blemish theory of which Addison was the foremost exponent in the eighteenth century . After an extensive comparison between sensitive taste and intellectual taste , Addison explains the final test of taste , 59 ...
Side 187
... TASTE which has not its foundation in nature , and which , consequently , may be accounted for . Nothing could be a clearer indication than this lament that taste was developing more and more romantic connotations , even being equated ...
... TASTE which has not its foundation in nature , and which , consequently , may be accounted for . Nothing could be a clearer indication than this lament that taste was developing more and more romantic connotations , even being equated ...
Side 190
... Taste " ( 1757 ) affords still more evidence of the rationalistic attempt to combat the ro- mantic notion of taste . He defines taste as " that faculty or those faculties of the mind , which are affected with , or which for a judgment ...
... Taste " ( 1757 ) affords still more evidence of the rationalistic attempt to combat the ro- mantic notion of taste . He defines taste as " that faculty or those faculties of the mind , which are affected with , or which for a judgment ...
Innhold
INTRODUCTION | 6 |
CLASSICAL AND ITALIAN SOURCES | 9 |
THE CRITICAL DILEMMA | 16 |
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Addison aesthetic Alexander Pope ancients Aristotle attitude beau beauties beauties-and-blemishes beauties-and-faults criticism beauties-and-faults method beauty-blemish theory Bentley blemishes Boccalini Boileau canons chapter cism classical connection critical dilemma Critical Essays D. N. Smith defects defender Dennis discussion dissertation drama Dryden Dunciad eighteenth century element Elizabe Elizabethan emphasis England English critics expression faults French Gildon good-natured grace historical point Hooker Horace Horatian Ibid imagination important influence John Dennis John Vanbrugh Joseph Warton judge judgment literary criticism literature London Longinian Longinus Milton Modern Language Association Momus nature neo-classical neo-classicism notion Paradise Lost Parnasso passage passion pedantic critic pedantry Phalaris play poe try poem poet Poetical poetry point of view Pope popular Preface principle Ragguagli reason romantic Rymer sense seventeenth century Shaftesbury Shakespeare Criticism shows Spectator Spingam Spingarn spirit Studies sublime Temple Theobald tion Trajano Boccalini University verbal criticism W. H. Durham Welsted William Shakespear writers