The Plays and Poems of William Shakespeare, Volum 5H. Baldwin, 1968 |
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Side 142
... have paid the utmost attention to them . In the present inftance , however , I think the tranfcriber's ear deceived him , and that the true reading is that of the fecond Art thou , to break into this woman's mood ; 142 OF FIRST PART.
... have paid the utmost attention to them . In the present inftance , however , I think the tranfcriber's ear deceived him , and that the true reading is that of the fecond Art thou , to break into this woman's mood ; 142 OF FIRST PART.
Side 224
... present correction , which is certainly right , was made by Mr. Capell . In two of the other fpeeches spoken by the meffenger , he uses the fame language , nor is it likely that he should addrefs Hotspur , without this mark of respect ...
... present correction , which is certainly right , was made by Mr. Capell . In two of the other fpeeches spoken by the meffenger , he uses the fame language , nor is it likely that he should addrefs Hotspur , without this mark of respect ...
Side 243
... present head : Whereby we stand oppofed by fuch means As you yourself have forg'd against yourself ; 9 the injuries of a wanton time : ] i . e . the injuries done by king Richard in the wantonnefs of profperity . MUSGRAVE . As that ...
... present head : Whereby we stand oppofed by fuch means As you yourself have forg'd against yourself ; 9 the injuries of a wanton time : ] i . e . the injuries done by king Richard in the wantonnefs of profperity . MUSGRAVE . As that ...
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