Understanding the Elements of Literature: Its Forms, Techniques and Cultural ConventionsMacmillan, 1981 - 234 sider |
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Side 175
... complete human being represents an abstract or incorporeal concept . Inanimate objects , on the other hand , are also compared to parts , actions or attributes of human beings , but this is usually a case of simple metaphor . Using ...
... complete human being represents an abstract or incorporeal concept . Inanimate objects , on the other hand , are also compared to parts , actions or attributes of human beings , but this is usually a case of simple metaphor . Using ...
Side 217
... Complete Poems of Robert Frost ( New York : Holt , Rinehart & Winston , 1949 ) . ' To Earthward ' in Complete Poems . William Godwin , The Adventures of Caleb Williams ; or , Things As They Are ( New York : Holt , Rinehart & Winston ...
... Complete Poems of Robert Frost ( New York : Holt , Rinehart & Winston , 1949 ) . ' To Earthward ' in Complete Poems . William Godwin , The Adventures of Caleb Williams ; or , Things As They Are ( New York : Holt , Rinehart & Winston ...
Side 219
... Complete Works ( London : Collins , 1951 ) . Julius Caesar in Complete Works . ' Sonnet 73 ' in Complete Works . - , The Tempest in Complete Works . Percy Bysshe Shelley , ' Ozymandias ' in The Complete Works of Percy Bysshe Shelley ...
... Complete Works ( London : Collins , 1951 ) . Julius Caesar in Complete Works . ' Sonnet 73 ' in Complete Works . - , The Tempest in Complete Works . Percy Bysshe Shelley , ' Ozymandias ' in The Complete Works of Percy Bysshe Shelley ...
Innhold
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Drama and the Theatre | 101 |
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Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor Ingen forhåndsvisning tilgjengelig - 1981 |
Vanlige uttrykk og setninger
actors actual aesthetic Alexander Pope allegory apron stage associations attitudes audience basic characteristics Chinua Achebe classical comedy complete composition construction context contrast conventions created culture Dalloway dance developed devices drama E. M. Forster effect elements emotional emphasise English epic example expression Ezra Pound fictional world figures of speech genre hand hero heroic historical idea images imagination individual irony Joseph Conrad judgement language literary literature lyric matter and theme meaning method moral musical narrative fiction narrator nature normal novel particular Percy Bysshe Shelley period person phrases playing area plot poem poetic poetry point of view possible present re-creation reader realistic recognise relationship Renaissance rhyme rhythm rhythmic romantic satire scene sentence sequence setting situation social sound patterning stage stanza story stress structure style stylisation subject matter syllables T. S. Eliot techniques tenor texture theatre tradition tragedy triple metre values vehicle verse W. B. Yeats