Understanding the Elements of Literature: Its Forms, Techniques and Cultural ConventionsMacmillan, 1981 - 234 sider |
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Side 91
... context , the effect is degrading or dismissive . The whole woman is reduced to a sexual object , dehumanised and depersonalised . In some , but not all contexts , therefore , the word ' female ' is derogatory , it has a negative ...
... context , the effect is degrading or dismissive . The whole woman is reduced to a sexual object , dehumanised and depersonalised . In some , but not all contexts , therefore , the word ' female ' is derogatory , it has a negative ...
Side 95
... contexts and associations . The temptation is to guess at unknown mean- ings , using an immediate context as a basis for deduction , but such efforts almost always lead to disaster . In literature words are very likely to be used in a ...
... contexts and associations . The temptation is to guess at unknown mean- ings , using an immediate context as a basis for deduction , but such efforts almost always lead to disaster . In literature words are very likely to be used in a ...
Side 182
... context . As in the case of overstatement , judgement is needed in deter- mining whether a statement or situation is to be taken at face value or whether it suggests its opposite by contrast . For example , if one reads a letter to the ...
... context . As in the case of overstatement , judgement is needed in deter- mining whether a statement or situation is to be taken at face value or whether it suggests its opposite by contrast . For example , if one reads a letter to the ...
Innhold
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Drama and the Theatre | 101 |
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Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor Ingen forhåndsvisning tilgjengelig - 1981 |
Vanlige uttrykk og setninger
actors actual aesthetic Alexander Pope allegory apron stage associations attitudes audience basic characteristics Chinua Achebe classical comedy complete composition construction context contrast conventions created culture Dalloway dance developed devices drama E. M. Forster effect elements emotional emphasise English epic example expression Ezra Pound fictional world figures of speech genre hand hero heroic historical idea images imagination individual irony Joseph Conrad judgement language literary literature lyric matter and theme meaning method moral musical narrative fiction narrator nature normal novel particular Percy Bysshe Shelley period person phrases playing area plot poem poetic poetry point of view possible present re-creation reader realistic recognise relationship Renaissance rhyme rhythm rhythmic romantic satire scene sentence sequence setting situation social sound patterning stage stanza story stress structure style stylisation subject matter syllables T. S. Eliot techniques tenor texture theatre tradition tragedy triple metre values vehicle verse W. B. Yeats