Understanding the Elements of Literature: Its Forms, Techniques and Cultural ConventionsMacmillan, 1981 - 234 sider |
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Side 53
... effect is to organise subject matter into a logical and expressive structure which also has the benefit of a balanced and satisfying external pattern or shape . A well - made plot can always be represented graphically since its outline ...
... effect is to organise subject matter into a logical and expressive structure which also has the benefit of a balanced and satisfying external pattern or shape . A well - made plot can always be represented graphically since its outline ...
Side 76
... effect of the incident or character , and a good reader will note both the pattern of the changes and their effect in evaluating or analysing the work . For example , a first - person narrator may reveal a great deal about what is in ...
... effect of the incident or character , and a good reader will note both the pattern of the changes and their effect in evaluating or analysing the work . For example , a first - person narrator may reveal a great deal about what is in ...
Side 124
... effect because they are not very common to human intercourse in everyday life , but there are also ways of speaking and moving when acting out human situations which have the effect of stylising character as well as action . For example ...
... effect because they are not very common to human intercourse in everyday life , but there are also ways of speaking and moving when acting out human situations which have the effect of stylising character as well as action . For example ...
Innhold
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Drama and the Theatre | 101 |
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Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor Ingen forhåndsvisning tilgjengelig - 1981 |
Vanlige uttrykk og setninger
actors actual aesthetic Alexander Pope allegory apron stage associations attitudes audience basic characteristics Chinua Achebe classical comedy complete composition construction context contrast conventions created culture Dalloway dance developed devices drama E. M. Forster effect elements emotional emphasise English epic example expression Ezra Pound fictional world figures of speech genre hand hero heroic historical idea images imagination individual irony Joseph Conrad judgement language literary literature lyric matter and theme meaning method moral musical narrative fiction narrator nature normal novel particular Percy Bysshe Shelley period person phrases playing area plot poem poetic poetry point of view possible present re-creation reader realistic recognise relationship Renaissance rhyme rhythm rhythmic romantic satire scene sentence sequence setting situation social sound patterning stage stanza story stress structure style stylisation subject matter syllables T. S. Eliot techniques tenor texture theatre tradition tragedy triple metre values vehicle verse W. B. Yeats