Understanding the Elements of Literature: Its Forms, Techniques and Cultural ConventionsMacmillan, 1981 - 234 sider |
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Side 89
... emotional overtones and associations in context , is required , however , because that is actually what determines the nature or character of the style . In order to describe or identify a given level of writing , the elements or ...
... emotional overtones and associations in context , is required , however , because that is actually what determines the nature or character of the style . In order to describe or identify a given level of writing , the elements or ...
Side 91
... emotional charge or aura . Used in this way , the response of the reader is influenced through the indication of an unspoken value judgement . ' Lady ' , on the other hand , refers to a person who is more than either biologically or ...
... emotional charge or aura . Used in this way , the response of the reader is influenced through the indication of an unspoken value judgement . ' Lady ' , on the other hand , refers to a person who is more than either biologically or ...
Side 98
... emotional or unstable situation . As in the days of the alchemists and necromancers , science is again awesome , threatening , uncanny and sinister . Even the length of the sentence and the comparative roughness or smoothness of ...
... emotional or unstable situation . As in the days of the alchemists and necromancers , science is again awesome , threatening , uncanny and sinister . Even the length of the sentence and the comparative roughness or smoothness of ...
Innhold
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Drama and the Theatre | 101 |
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Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor Ingen forhåndsvisning tilgjengelig - 1981 |
Vanlige uttrykk og setninger
actors actual aesthetic Alexander Pope allegory apron stage associations attitudes audience basic characteristics Chinua Achebe classical comedy complete composition construction context contrast conventions created culture Dalloway dance developed devices drama E. M. Forster effect elements emotional emphasise English epic example expression Ezra Pound fictional world figures of speech genre hand hero heroic historical idea images imagination individual irony Joseph Conrad judgement language literary literature lyric matter and theme meaning method moral musical narrative fiction narrator nature normal novel particular Percy Bysshe Shelley period person phrases playing area plot poem poetic poetry point of view possible present re-creation reader realistic recognise relationship Renaissance rhyme rhythm rhythmic romantic satire scene sentence sequence setting situation social sound patterning stage stanza story stress structure style stylisation subject matter syllables T. S. Eliot techniques tenor texture theatre tradition tragedy triple metre values vehicle verse W. B. Yeats