Understanding the Elements of Literature: Its Forms, Techniques and Cultural ConventionsMacmillan, 1981 - 234 sider |
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Side 1
... Experience Literature , like other arts , is essentially an imaginative act , that is , an act of the writer's imagination in selecting , ordering and interpreting life - experience . In the case of literature , words are the medium of ...
... Experience Literature , like other arts , is essentially an imaginative act , that is , an act of the writer's imagination in selecting , ordering and interpreting life - experience . In the case of literature , words are the medium of ...
Side 5
... experience . Function of Literature Literature has long been held to instruct and entertain , but the instruction has never been in the form of tidy little object lessons which can be summed up in a proverb : ' Honesty is the best ...
... experience . Function of Literature Literature has long been held to instruct and entertain , but the instruction has never been in the form of tidy little object lessons which can be summed up in a proverb : ' Honesty is the best ...
Side 109
... experience , a serious and death - denying progression of action , while in comedy one expects a joyous experience , a wild and life - affirming sequence of events . As literary terms , the words are essentially technical and refer to ...
... experience , a serious and death - denying progression of action , while in comedy one expects a joyous experience , a wild and life - affirming sequence of events . As literary terms , the words are essentially technical and refer to ...
Innhold
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Drama and the Theatre | 101 |
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Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor Ingen forhåndsvisning tilgjengelig - 1981 |
Vanlige uttrykk og setninger
actors actual aesthetic Alexander Pope allegory apron stage associations attitudes audience basic characteristics Chinua Achebe classical comedy complete composition construction context contrast conventions created culture Dalloway dance developed devices drama E. M. Forster effect elements emotional emphasise English epic example expression Ezra Pound fictional world figures of speech genre hand hero heroic historical idea images imagination individual irony Joseph Conrad judgement language literary literature lyric matter and theme meaning method moral musical narrative fiction narrator nature normal novel particular Percy Bysshe Shelley period person phrases playing area plot poem poetic poetry point of view possible present re-creation reader realistic recognise relationship Renaissance rhyme rhythm rhythmic romantic satire scene sentence sequence setting situation social sound patterning stage stanza story stress structure style stylisation subject matter syllables T. S. Eliot techniques tenor texture theatre tradition tragedy triple metre values vehicle verse W. B. Yeats