Understanding the Elements of Literature: Its Forms, Techniques and Cultural ConventionsMacmillan, 1981 - 234 sider |
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Side 28
... force for absolute order and goodness , whose ultimate manifestation was the created universe , and man's duty or function on earth was to imitate that order and decorum for the good of society and the salvation of one's own soul . The ...
... force for absolute order and goodness , whose ultimate manifestation was the created universe , and man's duty or function on earth was to imitate that order and decorum for the good of society and the salvation of one's own soul . The ...
Side 38
... forces and the power of social pressure derived from ruthless financial success . One response to the growing ... force in literary tradition , one which has captured the imagination of an international readership because of its ...
... forces and the power of social pressure derived from ruthless financial success . One response to the growing ... force in literary tradition , one which has captured the imagination of an international readership because of its ...
Side 92
... force of words , their normal associations and the emotions they arouse . Words of neutral value , for example , generally give the impression of objectivity , simple diction the impression of sincerity , and those words borrowed from ...
... force of words , their normal associations and the emotions they arouse . Words of neutral value , for example , generally give the impression of objectivity , simple diction the impression of sincerity , and those words borrowed from ...
Innhold
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Drama and the Theatre | 101 |
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Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor Ingen forhåndsvisning tilgjengelig - 1981 |
Vanlige uttrykk og setninger
actors actual aesthetic Alexander Pope allegory apron stage associations attitudes audience basic characteristics Chinua Achebe classical comedy complete composition construction context contrast conventions created culture Dalloway dance developed devices drama E. M. Forster effect elements emotional emphasise English epic example expression Ezra Pound fictional world figures of speech genre hand hero heroic historical idea images imagination individual irony Joseph Conrad judgement language literary literature lyric matter and theme meaning method moral musical narrative fiction narrator nature normal novel particular Percy Bysshe Shelley period person phrases playing area plot poem poetic poetry point of view possible present re-creation reader realistic recognise relationship Renaissance rhyme rhythm rhythmic romantic satire scene sentence sequence setting situation social sound patterning stage stanza story stress structure style stylisation subject matter syllables T. S. Eliot techniques tenor texture theatre tradition tragedy triple metre values vehicle verse W. B. Yeats