Understanding the Elements of Literature: Its Forms, Techniques and Cultural ConventionsMacmillan, 1981 - 234 sider |
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Side 93
... idea which connects the change in the person's appearance with jealousy . A simpler way of looking at it is to ... ideas as well as underlining or emphasising them . It is a highly prized device because of the inventive and creative ...
... idea which connects the change in the person's appearance with jealousy . A simpler way of looking at it is to ... ideas as well as underlining or emphasising them . It is a highly prized device because of the inventive and creative ...
Side 163
... idea or attitude being expressed by each component part . An understanding of the relationship of parts to each other discloses the structure of the work , while the progression of ideas or responses which intensify them points directly ...
... idea or attitude being expressed by each component part . An understanding of the relationship of parts to each other discloses the structure of the work , while the progression of ideas or responses which intensify them points directly ...
Side 165
... idea expressed does not make sense on the surface level , and , since literal meaning is denied , an act of imagination is required before the intended meaning becomes clear . The sense must be inferred from some naturally relevant ...
... idea expressed does not make sense on the surface level , and , since literal meaning is denied , an act of imagination is required before the intended meaning becomes clear . The sense must be inferred from some naturally relevant ...
Innhold
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Drama and the Theatre | 101 |
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Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor Ingen forhåndsvisning tilgjengelig - 1981 |
Vanlige uttrykk og setninger
actors actual aesthetic Alexander Pope allegory apron stage associations attitudes audience basic characteristics Chinua Achebe classical comedy complete composition construction context contrast conventions created culture Dalloway dance developed devices drama E. M. Forster effect elements emotional emphasise English epic example expression Ezra Pound fictional world figures of speech genre hand hero heroic historical idea images imagination individual irony Joseph Conrad judgement language literary literature lyric matter and theme meaning method moral musical narrative fiction narrator nature normal novel particular Percy Bysshe Shelley period person phrases playing area plot poem poetic poetry point of view possible present re-creation reader realistic recognise relationship Renaissance rhyme rhythm rhythmic romantic satire scene sentence sequence setting situation social sound patterning stage stanza story stress structure style stylisation subject matter syllables T. S. Eliot techniques tenor texture theatre tradition tragedy triple metre values vehicle verse W. B. Yeats