Understanding the Elements of Literature: Its Forms, Techniques and Cultural ConventionsMacmillan, 1981 - 234 sider |
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Side 112
... system and discarded in middle age with no reason to go on living , no meaning in his life but the bitterness of his failure and victimisation . The 112 Understanding the Elements of Literature Modern Tragedy and Tragi-Comedy.
... system and discarded in middle age with no reason to go on living , no meaning in his life but the bitterness of his failure and victimisation . The 112 Understanding the Elements of Literature Modern Tragedy and Tragi-Comedy.
Side 139
... living on the Aran Islands whose youngest and only suriving son has just been drowned . Maurya : They're all together this time , and the end is come . May the Almighty God have mercy on Bartley's soul , and on Michael's soul , and on ...
... living on the Aran Islands whose youngest and only suriving son has just been drowned . Maurya : They're all together this time , and the end is come . May the Almighty God have mercy on Bartley's soul , and on Michael's soul , and on ...
Side 177
... living stream alters its flow . Hearts with one purpose alone Through summer and winter seem Enchanted to a stone To trouble the living stream . The horse that comes from the road , The rider , the birds that range From cloud to ...
... living stream alters its flow . Hearts with one purpose alone Through summer and winter seem Enchanted to a stone To trouble the living stream . The horse that comes from the road , The rider , the birds that range From cloud to ...
Innhold
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Drama and the Theatre | 101 |
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Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor Ingen forhåndsvisning tilgjengelig - 1981 |
Vanlige uttrykk og setninger
actors actual aesthetic Alexander Pope allegory apron stage associations attitudes audience basic characteristics Chinua Achebe classical comedy complete composition construction context contrast conventions created culture Dalloway dance developed devices drama E. M. Forster effect elements emotional emphasise English epic example expression Ezra Pound fictional world figures of speech genre hand hero heroic historical idea images imagination individual irony Joseph Conrad judgement language literary literature lyric matter and theme meaning method moral musical narrative fiction narrator nature normal novel particular Percy Bysshe Shelley period person phrases playing area plot poem poetic poetry point of view possible present re-creation reader realistic recognise relationship Renaissance rhyme rhythm rhythmic romantic satire scene sentence sequence setting situation social sound patterning stage stanza story stress structure style stylisation subject matter syllables T. S. Eliot techniques tenor texture theatre tradition tragedy triple metre values vehicle verse W. B. Yeats