Understanding the Elements of Literature: Its Forms, Techniques and Cultural ConventionsMacmillan, 1981 - 234 sider |
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Side 5
... moral lesson . Literature instructs by opening our eyes to a wider range of experience and a deeper understanding of it . Reducing the rich texture and complexity of a literary work to a single moral statement , or even a phrase which ...
... moral lesson . Literature instructs by opening our eyes to a wider range of experience and a deeper understanding of it . Reducing the rich texture and complexity of a literary work to a single moral statement , or even a phrase which ...
Side 41
... moral precept or judgement of human conduct but it does not follow that all folk tales are conscious instruments for educating the young of a cultural group . The same tale might be used to dramatise several different moral axioms or ...
... moral precept or judgement of human conduct but it does not follow that all folk tales are conscious instruments for educating the young of a cultural group . The same tale might be used to dramatise several different moral axioms or ...
Side 47
... moral as well as psychological investigation . Interest in society and human conduct never waned and the characteristic form of the period was a long novel with two or even three parallel plots which spanned the various social levels of ...
... moral as well as psychological investigation . Interest in society and human conduct never waned and the characteristic form of the period was a long novel with two or even three parallel plots which spanned the various social levels of ...
Innhold
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Drama and the Theatre | 101 |
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Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor Ingen forhåndsvisning tilgjengelig - 1981 |
Vanlige uttrykk og setninger
actors actual aesthetic Alexander Pope allegory apron stage associations attitudes audience basic characteristics Chinua Achebe classical comedy complete composition construction context contrast conventions created culture Dalloway dance developed devices drama E. M. Forster effect elements emotional emphasise English epic example expression Ezra Pound fictional world figures of speech genre hand hero heroic historical idea images imagination individual irony Joseph Conrad judgement language literary literature lyric matter and theme meaning method moral musical narrative fiction narrator nature normal novel particular Percy Bysshe Shelley period person phrases playing area plot poem poetic poetry point of view possible present re-creation reader realistic recognise relationship Renaissance rhyme rhythm rhythmic romantic satire scene sentence sequence setting situation social sound patterning stage stanza story stress structure style stylisation subject matter syllables T. S. Eliot techniques tenor texture theatre tradition tragedy triple metre values vehicle verse W. B. Yeats