Understanding the Elements of Literature: Its Forms, Techniques and Cultural ConventionsMacmillan, 1981 - 234 sider |
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Side 117
... play , it is usually about half way through the performance and more a question of audience convenience than of dramatic construction . It was only in the Restoration period , for example , that Shakespeare's plays were divided into ...
... play , it is usually about half way through the performance and more a question of audience convenience than of dramatic construction . It was only in the Restoration period , for example , that Shakespeare's plays were divided into ...
Side 122
... play particular roles is actually the same as imagining the theatrical characters when reading a play . How old , for example , should the King of France be in King Lear ? If he is a man in the prime of life , then there will be more ...
... play particular roles is actually the same as imagining the theatrical characters when reading a play . How old , for example , should the King of France be in King Lear ? If he is a man in the prime of life , then there will be more ...
Side 132
... play as well as its inner construction come under closer scrutiny . To a very large extent the construction or choice of playing area has a far - reaching effect on the qualities to be emphasised in any given play , and , indeed , an ...
... play as well as its inner construction come under closer scrutiny . To a very large extent the construction or choice of playing area has a far - reaching effect on the qualities to be emphasised in any given play , and , indeed , an ...
Innhold
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Drama and the Theatre | 101 |
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Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor Ingen forhåndsvisning tilgjengelig - 1981 |
Vanlige uttrykk og setninger
actors actual aesthetic Alexander Pope allegory apron stage associations attitudes audience basic characteristics Chinua Achebe classical comedy complete composition construction context contrast conventions created culture Dalloway dance developed devices drama E. M. Forster effect elements emotional emphasise English epic example expression Ezra Pound fictional world figures of speech genre hand hero heroic historical idea images imagination individual irony Joseph Conrad judgement language literary literature lyric matter and theme meaning method moral musical narrative fiction narrator nature normal novel particular Percy Bysshe Shelley period person phrases playing area plot poem poetic poetry point of view possible present re-creation reader realistic recognise relationship Renaissance rhyme rhythm rhythmic romantic satire scene sentence sequence setting situation social sound patterning stage stanza story stress structure style stylisation subject matter syllables T. S. Eliot techniques tenor texture theatre tradition tragedy triple metre values vehicle verse W. B. Yeats