Understanding the Elements of Literature: Its Forms, Techniques and Cultural ConventionsMacmillan, 1981 - 234 sider |
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Side 152
... poem may consist of only two lines , as in the case of the epigram , while narrative poems may extend over thousands of lines depending on the subject . There are accepted patterns for both lines and stanzas that is , fixed and formal ...
... poem may consist of only two lines , as in the case of the epigram , while narrative poems may extend over thousands of lines depending on the subject . There are accepted patterns for both lines and stanzas that is , fixed and formal ...
Side 164
... poem as well as the degree to which his or her character is developed and the effect that this has on the subject ... poem need not be so completely developed and easily identifiable , however . More often than not the point of view or ...
... poem as well as the degree to which his or her character is developed and the effect that this has on the subject ... poem need not be so completely developed and easily identifiable , however . More often than not the point of view or ...
Side 212
... poem for metaphors , etc. is not very edifying , nor is it conducive to sharing in the experience of the poem which depends upon a combined response to its form and content . The sense of a poem should be established first , a ...
... poem for metaphors , etc. is not very edifying , nor is it conducive to sharing in the experience of the poem which depends upon a combined response to its form and content . The sense of a poem should be established first , a ...
Innhold
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Drama and the Theatre | 101 |
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Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor Ingen forhåndsvisning tilgjengelig - 1981 |
Vanlige uttrykk og setninger
actors actual aesthetic Alexander Pope allegory apron stage associations attitudes audience basic characteristics Chinua Achebe classical comedy complete composition construction context contrast conventions created culture Dalloway dance developed devices drama E. M. Forster effect elements emotional emphasise English epic example expression Ezra Pound fictional world figures of speech genre hand hero heroic historical idea images imagination individual irony Joseph Conrad judgement language literary literature lyric matter and theme meaning method moral musical narrative fiction narrator nature normal novel particular Percy Bysshe Shelley period person phrases playing area plot poem poetic poetry point of view possible present re-creation reader realistic recognise relationship Renaissance rhyme rhythm rhythmic romantic satire scene sentence sequence setting situation social sound patterning stage stanza story stress structure style stylisation subject matter syllables T. S. Eliot techniques tenor texture theatre tradition tragedy triple metre values vehicle verse W. B. Yeats