Understanding the Elements of Literature: Its Forms, Techniques and Cultural ConventionsMacmillan, 1981 - 234 sider |
Inni boken
Resultat 1-3 av 39
Side 130
... stage entrances and exits . There was also a recessed alcove underneath a balcony which could be curtained off when not needed as an inner room if the action demanded a transfer from the stage proper . In the same way the balcony might ...
... stage entrances and exits . There was also a recessed alcove underneath a balcony which could be curtained off when not needed as an inner room if the action demanded a transfer from the stage proper . In the same way the balcony might ...
Side 132
... stage construction , and theatres are often built with large open spaces that can be rearranged and organised in order to gain the effects of an amphitheatre , apron stage or proscenium production . The distinctive form of staging that ...
... stage construction , and theatres are often built with large open spaces that can be rearranged and organised in order to gain the effects of an amphitheatre , apron stage or proscenium production . The distinctive form of staging that ...
Side 221
... stage analogy , 167 , 171-2 , 178 see also figures of speech analysis , critical , methods of , 8-9 , 11 , 12–13 ... stage , see under stage Aran Islands , 139 archetypes , 67-8 , 108 see also character , characterisation Arden , Forest ...
... stage analogy , 167 , 171-2 , 178 see also figures of speech analysis , critical , methods of , 8-9 , 11 , 12–13 ... stage , see under stage Aran Islands , 139 archetypes , 67-8 , 108 see also character , characterisation Arden , Forest ...
Innhold
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Drama and the Theatre | 101 |
Opphavsrett | |
2 andre deler vises ikke
Andre utgaver - Vis alle
Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor Ingen forhåndsvisning tilgjengelig - 1981 |
Vanlige uttrykk og setninger
actors actual aesthetic Alexander Pope allegory apron stage associations attitudes audience basic characteristics Chinua Achebe classical comedy complete composition construction context contrast conventions created culture Dalloway dance developed devices drama E. M. Forster effect elements emotional emphasise English epic example expression Ezra Pound fictional world figures of speech genre hand hero heroic historical idea images imagination individual irony Joseph Conrad judgement language literary literature lyric matter and theme meaning method moral musical narrative fiction narrator nature normal novel particular Percy Bysshe Shelley period person phrases playing area plot poem poetic poetry point of view possible present re-creation reader realistic recognise relationship Renaissance rhyme rhythm rhythmic romantic satire scene sentence sequence setting situation social sound patterning stage stanza story stress structure style stylisation subject matter syllables T. S. Eliot techniques tenor texture theatre tradition tragedy triple metre values vehicle verse W. B. Yeats