Understanding the Elements of Literature: Its Forms, Techniques and Cultural ConventionsMacmillan, 1981 - 234 sider |
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Side 51
... story is told by the narrator after he has lived through all the experience . We already know that he has opted out of society and then we relive those experiences in their natural sequence in order to learn why . James Baldwin's Go ...
... story is told by the narrator after he has lived through all the experience . We already know that he has opted out of society and then we relive those experiences in their natural sequence in order to learn why . James Baldwin's Go ...
Side 77
... story is told , on the other . Because the narrator of a story told by indirect method has a definite or definable personality and name , he or she is often called a ' persona ' in order to distinguish the technique from a more ...
... story is told , on the other . Because the narrator of a story told by indirect method has a definite or definable personality and name , he or she is often called a ' persona ' in order to distinguish the technique from a more ...
Side 79
... story itself often shifts to an immediate and dramatic presentation of action which no housekeeper could have known about as it involves very private and intimate conversations , etc. The combination of very different points of view is ...
... story itself often shifts to an immediate and dramatic presentation of action which no housekeeper could have known about as it involves very private and intimate conversations , etc. The combination of very different points of view is ...
Innhold
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Drama and the Theatre | 101 |
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Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor Ingen forhåndsvisning tilgjengelig - 1981 |
Vanlige uttrykk og setninger
actors actual aesthetic Alexander Pope allegory apron stage associations attitudes audience basic characteristics Chinua Achebe classical comedy complete composition construction context contrast conventions created culture Dalloway dance developed devices drama E. M. Forster effect elements emotional emphasise English epic example expression Ezra Pound fictional world figures of speech genre hand hero heroic historical idea images imagination individual irony Joseph Conrad judgement language literary literature lyric matter and theme meaning method moral musical narrative fiction narrator nature normal novel particular Percy Bysshe Shelley period person phrases playing area plot poem poetic poetry point of view possible present re-creation reader realistic recognise relationship Renaissance rhyme rhythm rhythmic romantic satire scene sentence sequence setting situation social sound patterning stage stanza story stress structure style stylisation subject matter syllables T. S. Eliot techniques tenor texture theatre tradition tragedy triple metre values vehicle verse W. B. Yeats