Understanding the Elements of Literature: Its Forms, Techniques and Cultural ConventionsMacmillan, 1981 - 234 sider |
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Side 166
... tenor , the relationship is the ground , and the second image ( that which is brought in for the sake of comparison ) is the vehicle . For example : O , my luve is like a red , red rose . ( Burns in Perrine , p . 87 ) person or emotion ...
... tenor , the relationship is the ground , and the second image ( that which is brought in for the sake of comparison ) is the vehicle . For example : O , my luve is like a red , red rose . ( Burns in Perrine , p . 87 ) person or emotion ...
Side 167
... tenor , but includes only the most basic figures , those in common usage . Comparison and substitution simile ... tenor may be either direct and overtly stated , or , on the other hand , they may be indirect and achieved by substituting ...
... tenor , but includes only the most basic figures , those in common usage . Comparison and substitution simile ... tenor may be either direct and overtly stated , or , on the other hand , they may be indirect and achieved by substituting ...
Side 173
... ( tenor ) . 2. Representation by substitution . A second category of figurative language also depends on the substitution of vehicle for tenor but not so much emphasis is placed on the nature of the ground . In representational figures it ...
... ( tenor ) . 2. Representation by substitution . A second category of figurative language also depends on the substitution of vehicle for tenor but not so much emphasis is placed on the nature of the ground . In representational figures it ...
Innhold
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Drama and the Theatre | 101 |
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Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor Ingen forhåndsvisning tilgjengelig - 1981 |
Vanlige uttrykk og setninger
actors actual aesthetic Alexander Pope allegory apron stage associations attitudes audience basic characteristics Chinua Achebe classical comedy complete composition construction context contrast conventions created culture Dalloway dance developed devices drama E. M. Forster effect elements emotional emphasise English epic example expression Ezra Pound fictional world figures of speech genre hand hero heroic historical idea images imagination individual irony Joseph Conrad judgement language literary literature lyric matter and theme meaning method moral musical narrative fiction narrator nature normal novel particular Percy Bysshe Shelley period person phrases playing area plot poem poetic poetry point of view possible present re-creation reader realistic recognise relationship Renaissance rhyme rhythm rhythmic romantic satire scene sentence sequence setting situation social sound patterning stage stanza story stress structure style stylisation subject matter syllables T. S. Eliot techniques tenor texture theatre tradition tragedy triple metre values vehicle verse W. B. Yeats