Understanding the Elements of Literature: Its Forms, Techniques and Cultural ConventionsMacmillan, 1981 - 234 sider |
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Side 3
... Theme As readers , we must acknowledge and respond to the essential truths that underlie the surface reality of ... theme of a work- that is , the abstract idea that the subject matter exemplifies - is also part of the meaning . A theme ...
... Theme As readers , we must acknowledge and respond to the essential truths that underlie the surface reality of ... theme of a work- that is , the abstract idea that the subject matter exemplifies - is also part of the meaning . A theme ...
Side 4
... theme or themes , the larger ideas that are represented by the particular incidents of the work . A paraphrase of the plot or story , an account of what actually happens , is only the first step in the study of serious literature . The ...
... theme or themes , the larger ideas that are represented by the particular incidents of the work . A paraphrase of the plot or story , an account of what actually happens , is only the first step in the study of serious literature . The ...
Side 60
... theme , the form or outward shape of the author's divisions of the work into parts should also be considered . Novels , and to some extent short stories , are subdivided into sections . Every identi- fiable part acts as an independent ...
... theme , the form or outward shape of the author's divisions of the work into parts should also be considered . Novels , and to some extent short stories , are subdivided into sections . Every identi- fiable part acts as an independent ...
Innhold
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Drama and the Theatre | 101 |
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Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor Ingen forhåndsvisning tilgjengelig - 1981 |
Vanlige uttrykk og setninger
actors actual aesthetic Alexander Pope allegory apron stage associations attitudes audience basic characteristics Chinua Achebe classical comedy complete composition construction context contrast conventions created culture Dalloway dance developed devices drama E. M. Forster effect elements emotional emphasise English epic example expression Ezra Pound fictional world figures of speech genre hand hero heroic historical idea images imagination individual irony Joseph Conrad judgement language literary literature lyric matter and theme meaning method moral musical narrative fiction narrator nature normal novel particular Percy Bysshe Shelley period person phrases playing area plot poem poetic poetry point of view possible present re-creation reader realistic recognise relationship Renaissance rhyme rhythm rhythmic romantic satire scene sentence sequence setting situation social sound patterning stage stanza story stress structure style stylisation subject matter syllables T. S. Eliot techniques tenor texture theatre tradition tragedy triple metre values vehicle verse W. B. Yeats