Slow Cinema

Forside
Edinburgh University Press, 31. des. 2015 - 320 sider
Focused on a body of films bound together through a cinematic aesthetic of slowness, this book is a pioneering effort to situate, theorise and map out slow cinema within contemporary global film production and across world cinema history.
 

Innhold

Tsai Mingliang and
List of Illustrations
From Slow Cinema to Slow Cinemas
HISTORICISING SLOW CINEMA
spectators attention to the reality of the actor in the play
observe Kikunosukes performance in the role
Carl Th Dreyers Film Style
1948
Pedro Costas In Vandas
Cinematic Style as Labour in Wang Bings
chapter of West of the Tracks 2003
Duration Audition and Labour in Liu Jiayins
Slow Aesthetics in Experimental
in Light and Heat 1979
Animals Contingency and Death in Carlos
Nonhuman Aesthetics in Abbas

The First Durational Cinema and the Real of Time
Slow Film
lantern in What Time Is It There?
Stills and Stillness in Apichatpong Weerasethakuls Cinema
The Long Slow Cinema of Lav Diaz
Austerity Dispossession and the Politics
2010
From Slowness to Stillness
Slow Cinemas Labouring Body
Dedicated to Ozu 2003
The Poetics and the Politics of Fiction
AKA Serial Killer and James
Slow Cinema and the Ethics of Duration
Immersion Unfolding and Lucile
the Politics and Aesthetics
Slow Heritage Cinema
Index
Opphavsrett

Andre utgaver - Vis alle

Slow Cinema
Tiago de Luca
Begrenset visning - 2015
Slow Cinema
Tiago De Luca,Nuno Barradas Jorge
Ingen forhåndsvisning tilgjengelig - 2016
Slow Cinema
Tiago De Luca,Nuno Barradas Jorge
Ingen forhåndsvisning tilgjengelig - 2016

Vanlige uttrykk og setninger

accessed actors aesthetic AKA Serial Killer Andy Warhol animal Apichatpong Apichatpong Weerasethakul art cinema audience Badiou Bazin Béla Béla Tarr body Boonmee Bordwell Brecht Chantal Akerman chapter characters cinema of slowness close-up contemporary Costa critical crystal–image cultural Deleuze depiction Diaz directors documentary Dreyer’s drift durational cinema ecocinema ethical everyday example experience Figure film-makers film’s filmic Flanagan frame Heremakono heritage films Huillet human James Benning Jia Zhangke kabuki Kiarostami labour landscape London long takes Luca Matthew Flanagan Meek’s Melancholia minutes mise en scène Mizoguchi mode modern Moving Image Nagib narrative nature cam Oxhide Pedro Costa photographs political present production realism reality Reichardt’s rhythm road movies scene Schoonover screen sense sequence shooting shot Sleep slow cinema slow films Song Hwee sound space spectator speed static style suggests temporal theatre Tsai Ming-liang Vanda’s Room viewer visual Vredens Dag Wang Wang’s Warhol World Cinema York

Om forfatteren (2015)

Dr. Tiago de Luca is Lecturer in Film Studies at the University of Liverpool. He is the author of Realism of the Senses in World Cinema: The Experience of Physical Reality (I.B. Tauris, 2013) and the series editor (with Lúcia Nagib) of Film Thinks: How Cinema Inspire Writers and Thinkers, and has published widely on world cinemas in journals such as Senses of Cinema, Journal of Chinese Cinemas, Cinephile, New Cinemas: Journal of Contemporary Film and Cinema Journal. Nuno Barradas Jorge is a PhD candidate in the Department of Culture, Film and Media at the University of Nottingham. His research has appeared in the journal Adaptation, and the collections Migration in Lusophone Cinema (Palgrave Macmillan, 2014), El Juego con los Estereotipos (Peter Lang, 2012), and Directory of World Cinema: Spain (Intellect, 2011).

Bibliografisk informasjon

TittelSlow Cinema
ForfatterTiago de Luca
UtgiverEdinburgh University Press, 2015
ISBN0748696059, 9780748696055
Lengde320 sider
  
Eksporter sitatBiBTeX EndNote RefMan