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THE RIGHT HONOURABLE

WILLIAM, LORD MANSFIELD,

LORD CHIEF JUSTICE OF ENGLAND.

JANUARY 1, 1759.

No man, in ancient Rome, my lord, would have been surprised, I believe, to see a poet inscribe his works, either to Cicero, or the younger Pliny; not to mention any more amongst her most celebrated names. They were both, it is true, public magistrates of the first distinction, and had applied themselves severely to the study of the laws; in which both eminently excelled. They were, at the same time, illustrious orators, and employed their eloquence in the service of their clients and their country. But, as they had both embellished their other talents by early cultivating the finer arts, and which has spread, we see, a peculiar light and grace over all their productions; no species of polite literature could be foreign to their taste or patronage. And, in effect, we find they were the friends and protectors of the best poets their respective ages produced.

It is from a parity of character, my lord, and which will occur obviously to every eye, that I am induced to place your name at the head of this collection, such as it is, of the different things I have written.

Nec Phobo gratior ulla

Quam sibi quæ Vari præscripsit pagina nomen.

And were I as sure, my lord, that it is deserving of your regard, as I am that these verses were not applied with more propriety at first than they are now; the public would universally justify my ambition in presenting it to you. But, of that, the public only must and will judge, in the last appeal. There is but one thing, to bespeak their favour and your friendship, that I dare be positive in without which, you are the last person in Britain to whom I should have thought of addressing it. And this any man may affirm of himself, without vanity; because it is equally in every man's power. Of all that I have written, on any occasion, there is not a line, which I am afraid to own, either as an honest man, a good subject, or a true lover of my country.

I have thus, my lord, dedicated some few moments, the first day of this

new year, to send you, according to good old custom, a present. An humble one, I confess it is; and that can have little other value but what arises from the disposition of the sender. On that account, perhaps, it may not be altogether unacceptable; for it is indeed an offering rather of the heart than the head; an effusion of those sentiments, which great merit, employed to the best purposes, naturally creates.

May you enjoy, my lord, through the whole course of this and many more years, that sound health of mind and body, which your important labours for the public so much want, and so justly merit! And may you soon have the satisfaction to see, what I know you so ardently wish, this destructive war, however necessary on our part, concluded by a safe and lasting peace! Then, and not till then, all the noble arts, no less useful than ornamental to human life, and that now languish, may again flourish, under the eye and encouragement of those few, who think and feel as you do, for the advantage and honour of Great Britain. I am, with the sincerest attachment,

MY LORD,

your most faithful

humble servant.

POEMS

OF

DAVID MALLET.

OF

VERBAL CRITICISM.

ADVERTISEMENT

TO THE FIRST AND SECOND EDITIONS.

As the design of the following poem is to rally the abuse of verbal criticism, the author could not, without manifest partiality, overlook the editor of Milton, and the restorer of Shakspeare. With regard to the latter, he has read over the many and ample specimens with which that scholiast has already obliged the public: and of these, and these only, he pretends to give his opinion. But, whatever he may think of the critic, not bearing the least ill-will to the man, he deferred printing these verses, though written several months ago, till he heard that the subscription for a new edition of Shakspeare was closed. He begs leave to add likewise, that this poem was undertaken and written entirely without the knowledge of the gentleman to whom it is addressed. Only as it is a public testimony of his inviolable esteem for Mr. Pope, on that account, particularly, he wishes it may not be judged to increase the number of mean performances, with which the town is almost daily pestered.

AMONG the numerous fools, by Fate design'd
Oft to disturb, and oft divert, mankind,
The reading coxcomb is of special note,
By rule a poet, and a judge by rote:
Grave son of idle Industry and Pride,
Whom learning but perverts, and books misguide.
O fam'd for judging, as for writing well,
That rarest science, where so few excel;
Whose life, severely scann'd, transcends thy lays,
For wit supreme is but thy second praise:

'Tis thine, O Pope, who choose the better part,
To tell how false, how vain, the scholiast's art,
Which nor to taste, nor genius has pretence,
And, if 'tis learning, is not common sense.

In errour obstinate, in wrangling loud,
For trifles eager, positive, and proud;
Deep in the darkness of dull authors bred,
With all their refuse lumber'd in his head,
What every dunce from every dunghill drew
Of literary offals, old or new,
Forth steps at last the self-applauding wight,
Of points and letters, chaff and straws, to write:
Sagely resolv'd to swell each bulky piece
With venerable toys, from Rome and Greece;
How oft, in Homer, Paris curl'd his hair;
If Aristotle's cap were round or square;
If in the cave, where Dido first was sped,
To Tyre she turn'd her heels, to Troy her head.

Such the choice anecdotes, profound and vain, That store a Bentley's and a Burman's brain: Hence, Plato quoted, or the Stagyrite, To prove that flame ascends, and snow is white: Hence, much hard study, without sense or breeding, And all the grave impertinence of reading. If Shakspeare says, the noon-day Sun is bright, His scholiast will remark, it then was light; Turn Caxton, Winkin, each old Goth and Hun, To rectify the reading of a pun. Thus, nicely trifling, accurately dull, How one may toil, and toil-to be a fool!

But is there then no honour due to age?
No reverence to great Shakspeare's noble page?
And he, who half a life has read him o'er,
His mangled points and commas to restore,
Meets he such slight regard in nameless lays,
Whom Bufo treats, and lady Would-be pays!

Pride of his own, and wonder of this age,
Who first created, and yet rules, the stage,
Bold to design, all-powerful to express,
Shakspeare each passion drew in every dress:
Great above rule, and imitating none;
Rich without borrowing, Nature was his own.
Yet is his sense debas'd by gross allay:
As gold in mines les mix'd with dirt and clay.

Now, eagle-wing'd, his heavenward flight he takes;
The big stage thunders, and the soul awakes:
Now, low on earth, a kindred reptile creeps;
Sad Hamlet quibbles, and the hearer sleeps.

Such was the poet: next the scholiast view;
Faint through the colouring, yet the features true.
Condemn'd to dig and dung a barren soil,
Where hardly tares will grow with care and toil,
He, with low industry, goes gleaning on
From good, from bad, from mean, neglecting none:
His brother book-worm so, in shelf or stall,
Will feed alike on Woolston and on Paul.
By living clients hopeless now of bread,
He pettyfogs a scrap from authors dead:
See him on Shakspeare pore, intent to steal
Poor farce, by fragments, for a third-day meal.
Such that grave bird in northern seas is found,
Whose name a Dutchman only knows to sound.
Where'er the king of fish moves on before,
This humble friend attends from shore to shore;
With eye still earnest, and with bill inclin'd,
He picks up what his patron drops behind,
With those choice cates his palate to regale,
And is the careful Tibbald of a whale'.

Blest genius! who bestows his oil and pains On each dull passage, each dull book contains; The toil more grateful, as the task more low: So carrion is the quarry of a crow. Where his fam'd author's page is flat and poor, There, most exact the reading to restore; By dint of plodding, and by sweat of face, A bull to change, a blunder to replace: Whate'er is refuse critically gleaning, And mending nonsense into doubtful meaning. For this, dread Dennis, (and who can forbear, Dunce or not dunce, relating it, to stare?) His head though jealous, and his years fourscore, Ev'n Dennis praises 3, who ne'er prais'd before! For this, the scholiast claims his share of fame, And, modest, prints his own with Shakspeare's name: How justly, Pope, in this short story view; Which may be dull, and therefore should be true. A prelate, fam'd for clearing each dark text, Who sense with sound, and truth with rhetoric mixt, Once, as his moving theme to rapture warm'd, Inspir'd himself, his happy hearers charm'd. The sermon o'er, the crowd remain'd behind, And freely, man or woman, spoke their mind: All said they lik'd the lecture from their soul, And each, remembering something, prais'd the At last an honest sexton join'd the throng; [whole. (For as the theme was large, their talk was long) “Neighbours,” he cry'd," my conscience bids me tell, Though 'twas the doctor preach'd—I toll'd the bell."

This remarkable bird is called the StrundtJager. Here you see how he purchases his food: and the same author, from whom this account is taken, tells us further, how he comes by his drink. You may see him, adds the Dutchman, frequently pursuing a sort of sea-mew, called Kulge-Gehef, whom he torments incessantly to make him void an excrement; which, being liquid, serves him, I imagine, for drink. See a Collection of Voyages

to the North.

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In this the critic's folly most is shown: Is there a genius all-unlike his own, With learning elegant, with wit well bred, And, as in books, in men and manners read; Himself with poring erudition blind, Unknowing, as unknown of human kind; That writer he selects, with aukward aim His sense, at once, to mimic and to maim. So Florio is a fop, with half a nose: So fat West Indian planters dress as beaux. Thus, gay Petronius was a Dutchman's choice, And Horace, strange to say, tun'd Bentley's voice. Horace, whom all the Graces taught to please, Mix'd mirth with morals, eloquence with ease; His genius social, as his judgment clear; When frolic, prudent; smiling when severe; Secure, each temper, and each taste to hit, His was the curious happiness of wit. Skill'd in that noblest science, how to live; Which learning may direct, but Heaven must give; Grave with Agrippa, with Mææcenas gay; Among the fair, but just as wise as they: First in the friendships of the great enroll'd, The St. Johns, Boyles, and Lytteltons, of old.

While Bentley, long to wrangling schools confin'd,
And, but by books, acquainted with mankind,
Dares, in the fulness of the pedant's pride,
Rhyme, though no genius; though no judge, decide.
Yet he, prime pattern of the captious art,
Out-tibbalding poor Tibbald, tops his part:
Holds high the scourge o'er each fam'd author's
head;

Nor are their graves a refuge for the dead.
To Milton lending sense, to Horace wit,
He makes them write what never poet writ:
The Roman Muse arraigns his mangling pen;
And Paradise, by him, is lost again 4.

Such was his doom impos'd by Heaven's decrce,
With cars that hear not, eyes that shall not see,
The low to swell, to level the sublime,
To blast all beauty, and beprose all rhyme.
Great eldest-born of Dullness, blind and bold!
Tyrant! more cruel than Procrustes old;
Who, to his iron-bed, by torture, fits,
Their nobler part, the souls of suffering wits.

Such is the man, who heaps his head with bays,
And calls on human kind to sound his praise,
For points transplae'd with curious want of skill,
For flatten'd sounds, and sense amended ill.
So wise Caligula, in days of yore,
His helmet fill'd with pebbles on the shore,
Swore he had rifled Ocean's rich spoils,
And claim'd a trophy for his martial toils.

Yet be his merits, with his faults, confest: Fair-dealing, as the plainest, is the best. Long lay the critic's work, with trifles stor'd, Admir'd in Latin, but in Greek ador'd.

4 This sagacious scholiast is pleased to create an imaginary editor of Milton; who, he says, by his blunders, interpolations, and vile alterations, lost Paradise a second time. This is a postulatum which surely none of his readers can have the heart to deny him; because otherwise he would have wanted a fair opportunity of calling Milton himself, in the person of this phantom, fool, ignorant, idiot, and the like critical compellations, which he plentifully bestows on him. But, though he had no taste in poetry, he was otherwise a man of very considerable abilities, and of great erudition.

Men, so well read, who confidently wrote, Their readers could have sworn, were men of note: To pass upon the crowd for great or rare, Aim not to make them knowing, make them stare. For these blind votaries good Bentley griev'd, Writ English notes-and mankind undeceiv'd: In such clear light the serious folly plac'd, Ev'n thou, Browne Willis, thou may'st see the jest. But what can cure our vanity of mind, Deaf to reproof, and to discovery blind? Let Crooke, a brother scholiast Shakspeare call, Tibbald, to Hesiod-Cooke returns the ball. So runs the circle still: in this, we see The lackies of the great and learn'd agree. If Britain's nobles mix in high debate, Whence Europe, in suspense, attends her fate; In mimic session their grave footmen meet, Reduce an army, or equip a fleet: And, rivalling the critic's lofty style, Mere Tom and Dick are Stanhope and Argyll. Yet those, whom pride and dulness join to blind, To narrow cares in narrow space confin'd, Though with big titles each his fellow greets, Are but to wits, as scavengers to streets: The humble black-guards of a Pope or Gay, To brush off dust, and wipe their spots away. Or, if not trivial, harmful is their art; Fume to the head, or poison to the heart. Where ancient authors hint at things obscene, The scholiast speaks out broadly what they mean. Disclosing each dark vice, well lost to fame, And adding fuel to redundant flame, He, sober pimp to Lechery, explains What Caprea's Isle, or V-'s Alcove contains: Why Paulus, for his sordid temper known, Was lavish, to his father's wife alone: Why those fond female visits duly paid To tuneful Incuba; and what her trade: How modern love has made so many martyrs, And which keeps oftenest, lady C-, or Chartres. But who their various follies can explain? The tale is infinite, the task were vain. 'Twere to read new-year odes in search of thought; To sum the libels Pryn or Withers wrote; To guess, ere one epistle saw the light, How many dunces met, and club'd their mite; To vouch for truth what Welsted prints of Pope, Or from the brother-boobies steal a trope. That be the part of persevering Wass, With pen of lead; or, Arnall, thine of brass; A text for Henley, or a gloss for Hearne, Who loves to teach, what no man cares to learn. How little, knowledge reaps from toils like these! Too doubtful to direct, too poor to please. Yet, critics, would your tribe deserve a name, And, fairly useful, rise to honest fame; First, from the head, a load of lumber move, And, from the volume, all yourselves approve: For patch'd and pilfer'd fragments, give us sense, Or learning, clear from learn'd impertinence,

5 See a poem published some time ago under that title, said to be the production of several ingenious and prolific heads; one contributing a simile, another a character, and a certain gentleman four shrewd lines wholly made up of asterisks.

See the preface to his edition of Sallust; and read, if you are able, the Scholia of sixteen annotators by him collected, besides his own.

Where moral meaning, or where taste presides,
And wit enlivens but what reason guides:
Great without swelling, without meanuess plain,
Serious, not silly; sportive, but not vain;
On trifles slight, on things of use profound,
In quoting sober, and in judging sound.

VERSES

PRESENTED TO THE PRINCE OF ORANGE, ON HIS VISITING
OXFORD, IN THE YEAR 1734.

RECEIVE, lov'd prince, the tribute of our praise,
This hasty welcome, in unfinish'd lays.
At best, the pomp of song, the paint of art,
Display the genius, but not speak the heart;
And oft, as ornament must truth supply,
Are but the splendid colouring of a lie.
These need not here; for to a soul like thine,
Truth, plain and simple, will more lovely shine.
The truly good but wish the verse sincere:
They court no flattery, who no censure fear.

Such Nassau is, the fairest, gentlest mind,
In blooming youth the Titus of mankind,
Crowds, who to hail thy wish'd appearance ran,
Forgot the prince, to praise and love the man.
Such sense with sweetness, grandeur mix'd with ease!
Our nobler youth will learn of thee to please:
Thy bright example shall our world adorn,
And charm, in gracious princes, yet unborn.

Nor deem this verse from venal art proceeds, That vice of courts, the soil for baneful weeds. Here Candour dwells; here honest truths are taught, To guide and govern, not disguise, the thought. See these enlighten'd sages, who preside O'er Learning's empire; see the youth they guide: Behold, all faces are in transport drest! · But those most wonder, who discern thee best. At sight of thee, each free-born heart receives A joy, the sight of princes rarely gives; From tyrants sprung, and oft themselves design'd, By Fate, the future Neroes of their kind: But though thy blood, we know, transmitted, springs From laurell'd heroes, and from warrior-kings, Through that high scries, we, delighted, trace The friends of liberty, and human race!

[hour,

Oh, born to glad and animate our isle! For thee, our heavens look pleas'd, our seasons smile: For thee, late object of our tender fears, When thy life droop'd, and Britain was in tears, All-cheering Health, the goddess rosy-fair, Attended by soft suns, and vernal air, Sought those fam'd springs', where, cach afflictive Disease, and Age, and Pain, invoke her power: She came; and, while to thee the current flows, Pour'd all herself, and in thy cup arose. Hence, to thy cheek, that instant bloom deriv'd: Hence, with thy health, the weeping world reviv'd' Proceed to emulate thy race divine: A life of action, and of praise, be thine. Assert the titles genuine to thy blood, By nature, daring; but by reason, good. So great, so glorious thy forefathers shone, No son of theirs must hope to live unknown: Their deeds will place thy virtue full in sight; Thy vice, if vice thou hast, in stronger light.

Bath.

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