Spirit of Boccaccio's Decameron; Comprising Three Days Entertainment, Tr., and Versified, From the Italian

Forside
Creative Media Partners, LLC, 19. mai 2016 - 234 sider
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Andre utgaver - Vis alle

Om forfatteren (2016)

Although Giovanni Boccaccio was born in France and raised and educated in Naples, where he wrote his first works under the patronage of the French Angevin ruler, Boccaccio always considered himself a Tuscan, like Petrarch and Dante. After Boccaccio returned to Florence in 1340, he witnessed the outbreak of the great plague, or Black Death, in 1348. This provided the setting for his most famous work, the vernacular prose masterpiece Il Decamerone (Decameron) (1353). This collection of 100 short stories, told by 10 Florentines who leave plague-infected Florence for the neighboring hill town of Fiesole, is clear evidence of the beginning of the Renaissance in Italy. The highly finished work exerted a tremendous influence on Chaucer, Shakespeare, Dryden, Keats, and Tennyson even as it established itself as the great classic of Italian fictional prose. Although Chaucer did not mention Boccaccio's name, his Canterbury Tales are clearly modeled on the Decameron. Boccaccio's other important works are a short life of Dante and commentaries on the Divine Comedy; Filocolo (1340) a prose romance; Filostrato (1335), a poem on Troilus and Cressida; and Theseus (1340-41), a poem dealing with the story of Theseus, Palamon, and Arcite. Boccassio's only attempt at writing an epic was a work that Chaucer rendered as his "Knight's Tale." Boccaccio's last work written in Italian was the gloomy, cautionary tale titled The Corbaccio (1355). The Nymph Song (1346), as a counterpiece for the Decameron, demonstrates that it is possible to read the Decameron as an allegory, with the plague representing the spiritual plague of medieval Christianity, viewed from the vantage point of Renaissance humanism. Many of the Decameron tales are indeed paganized versions of medieval sermons about sin and damnation with the morals reversed. After 1363 Boccaccio concentrated on trying to gain enduring fame by writing, in Latin, a series of lives of memorable men and women and a genealogy of the pagan gods. Boccaccio died in 1375.

Bibliografisk informasjon