Anglica, Volum 3Anglica Society of Kansai University, 1957 |
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Side 32
... play , occuring frequently . Iago is directly or indirectly their author and originator . ' Devil ' , ' hell ' , ' damnation ' - these words . are recurrent , and continually juxtaposed to thoughts of ' Heaven ' , prayer , angels ...
... play , occuring frequently . Iago is directly or indirectly their author and originator . ' Devil ' , ' hell ' , ' damnation ' - these words . are recurrent , and continually juxtaposed to thoughts of ' Heaven ' , prayer , angels ...
Side 33
... play . When we try to examine Iago's world of words , we are struck by its complexity which reveals the characteristics of Shake- speare's mature plays . This complexity , in some points , seems to blur the character of Iago as a ...
... play . When we try to examine Iago's world of words , we are struck by its complexity which reveals the characteristics of Shake- speare's mature plays . This complexity , in some points , seems to blur the character of Iago as a ...
Side 50
... play there is a double tragedy . However high in tone is the music of the Othello world , we can never neglect the more practical , more complicated world of words created by Iago , in which Iago leads everybody , including himself , to ...
... play there is a double tragedy . However high in tone is the music of the Othello world , we can never neglect the more practical , more complicated world of words created by Iago , in which Iago leads everybody , including himself , to ...