An Analytical Inquiry Into the Principles of TastePayne, 1805 - 471 sider |
Inni boken
Resultat 1-5 av 38
Side vii
... ASSOCIATION OF IDEAS . CHAP . I. OF KNOWLEDGE OR IMPROVED PERCEPTION . 1. Artificial Perception - how far independent of organic Sensation . 2. Imitative Art . 3. Imitation in general . 4. Its Pleasures of short Duration . 5. Science in ...
... ASSOCIATION OF IDEAS . CHAP . I. OF KNOWLEDGE OR IMPROVED PERCEPTION . 1. Artificial Perception - how far independent of organic Sensation . 2. Imitative Art . 3. Imitation in general . 4. Its Pleasures of short Duration . 5. Science in ...
Side viii
... Association of Ideas - when become habitual , invo- luntary . 2. Its Effects on Temper and Disposition . Lunacy . 3. Intoxication . 4. Dreams . 5. Anxiety , Grief , and Vexation . 6. Vivacity , Wit , Madness . 7. Idiocy . 8. Memory ...
... Association of Ideas - when become habitual , invo- luntary . 2. Its Effects on Temper and Disposition . Lunacy . 3. Intoxication . 4. Dreams . 5. Anxiety , Grief , and Vexation . 6. Vivacity , Wit , Madness . 7. Idiocy . 8. Memory ...
Side 40
... associations proves to the satisfaction of ordinary men : but if learned philosophers choose to doubt it , because it is not demonstrable , they must doubt on . Scepticism has never attempted to See Phædon , et de Republicâ , lib . x ...
... associations proves to the satisfaction of ordinary men : but if learned philosophers choose to doubt it , because it is not demonstrable , they must doubt on . Scepticism has never attempted to See Phædon , et de Republicâ , lib . x ...
Side 49
... association , which will be considered apart . The primitive music of all nations is , I believe , of this senti- mental kind ; music , as well as painting and poetry , being in its principle an imitative art * ; and , though science ...
... association , which will be considered apart . The primitive music of all nations is , I believe , of this senti- mental kind ; music , as well as painting and poetry , being in its principle an imitative art * ; and , though science ...
Side 72
... association , which will be hereafter explained . 66 19. A great authority , I know , denies that the imitations of such objects can ever produce beautiful , that is , lovely pictures * ; " and if beau- tiful is thus limited to the ...
... association , which will be hereafter explained . 66 19. A great authority , I know , denies that the imitations of such objects can ever produce beautiful , that is , lovely pictures * ; " and if beau- tiful is thus limited to the ...
Innhold
9 | |
10 | |
11 | |
12 | |
13 | |
14 | |
15 | |
16 | |
17 | |
18 | |
19 | |
20 | |
21 | |
22 | |
23 | |
24 | |
25 | |
26 | |
27 | |
28 | |
29 | |
30 | |
31 | |
32 | |
33 | |
34 | |
35 | |
36 | |
37 | |
38 | |
39 | |
40 | |
41 | |
42 | |
43 | |
44 | |
45 | |
46 | |
47 | |
48 | |
49 | |
50 | |
51 | |
52 | |
53 | |
54 | |
55 | |
56 | |
57 | |
58 | |
59 | |
60 | |
61 | |
62 | |
63 | |
64 | |
65 | |
66 | |
67 | |
76 | |
77 | |
78 | |
79 | |
80 | |
81 | |
82 | |
83 | |
84 | |
85 | |
86 | |
87 | |
88 | |
89 | |
90 | |
91 | |
92 | |
93 | |
94 | |
95 | |
96 | |
97 | |
98 | |
99 | |
101 | |
102 | |
103 | |
104 | |
105 | |
106 | |
107 | |
108 | |
109 | |
110 | |
111 | |
112 | |
113 | |
114 | |
115 | |
116 | |
117 | |
118 | |
119 | |
120 | |
132 | |
133 | |
134 | |
198 | |
208 | |
247 | |
265 | |
270 | |
277 | |
323 | |
359 | |
425 | |
426 | |
429 | |
434 | |
Andre utgaver - Vis alle
An Analytical Inquiry Into the Principles of Taste Richard Payne Knight Uten tilgangsbegrensning - 1805 |
An Analytical Inquiry Into the Principles of Taste Richard Payne Knight Uten tilgangsbegrensning - 1805 |
An Analytical Inquiry Into the Principles of Taste Richard Payne Knight Uten tilgangsbegrensning - 1805 |
Vanlige uttrykk og setninger
acquired Æneid afford animals appear arise Aristotle artist asso association of ideas become blime and Pathetic body called CHAP character colours composition consequently degree delight disgusting display effect elegance employed energy epic poetry equally exalted excite exhibited expression feeling felt fiction forms fræna Gothic gratification Grecian Greek habit hearing human Iliad images Imagina imitation impressions instances intercolumniations irregular irritation Judg kind language less light and shadow manner means ment merely metre mind modes nature neral never nevertheless objects observed organs of sense pain painters painting Paradise Lost passions perceived perfect person picturesque Pindar pleasing pleasure poet poetry principle produced proportion propriety prosody qualities racter Rembrandt laughed scenery sculpture sensation sensibility sentiments Sight Sir Joshua Reynolds soever species style Sublime and Beautiful taste Theocritus thing tints tion Titian tone tragedy tural ture variety verse Virgil whence wherefore words
Populære avsnitt
Side 352 - Be innocent of the knowledge , dearest chuck , Till thou applaud the deed. — Come, seeling night, Scarf up the tender eye of pitiful day; And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale!
Side 397 - Commander : he, above the rest In shape and gesture proudly eminent, Stood like a tower : his form had yet not lost All her original brightness ; nor appear'd Less than Arch-Angel ruin'd, and the excess Of glory obscured...
Side 358 - To speak ; whereat their doubled ranks they bend From wing to wing, and half enclose him round With all his peers : attention held them mute. Thrice he assay'd, and thrice, in spite of scorn, Tears, such as angels weep, burst forth : at last Words interwove with sighs found out their way.
Side 357 - Archangel ; but his face Deep scars of thunder had intrenched, and care Sat on his faded cheek ; but under brows Of dauntless courage, and considerate pride Waiting revenge. Cruel his eye, but cast Signs of remorse and passion, to behold The fellows of his crime, the followers rather (Far other once beheld in bliss), condemned For ever now to have their lot in pain...
Side 9 - I do not know whether I am singular in my opinion: but for my own part, I would rather look upon a tree in all its luxuriancy and diffusion of boughs and branches, than when it is thus cut and trimmed into a mathematical figure...
Side 371 - Whatever is fitted in any sort to excite the ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive of the strongest emotion which the mind is capable of feeling.
Side 396 - Fair laughs the Morn, and soft the zephyr blows, While proudly riding o'er the azure realm In gallant trim the gilded vessel goes: Youth on the prow, and Pleasure at the helm: Regardless of the sweeping whirlwind's sway, That hush'd in grim repose expects his evening prey.
Side 116 - The want of human interest is always felt. Paradise Lost is one of the books which the reader admires and lays down, and forgets to take up again. None ever wished it longer than it is. Its perusal is a duty rather than a pleasure.
Side 357 - For his revolt; yet faithful how they stood, Their glory withered: as when heaven's fire Hath scathed the forest oaks, or mountain pines, With singed top their stately growth, though bare, Stands on the blasted heath.
Side 396 - Berkley's roofs that ring, 55 Shrieks of an agonizing king! She-wolf of France, with unrelenting fangs That tearst the bowels of thy mangled mate, From thee be born, who o'er thy country hangs The scourge of heaven. What terrors round him wait ! 60 Amazement in his van, with Flight combined, And Sorrow's faded form, and Solitude behind.