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the end of his breath on one side of a question or another, but he never was a pragmatical fellow. He lived in a round of contradictions, and never came to a settled point. His fancy gave the cue to his judgment, and his vanity set his invention afloat in whatever direction he could find most scope for it, or most sympathy, that is, admiration. His Life and Opinions might naturally receive the title of one of Hume's Essays A Sceptical Solution of Sceptical Doubts." To be sure, his WATCHMAN and his FRIEND breathe a somewhat different tone on subjects of a particular description, both of them apparently pretty highraised, but whoever will be at the pains to examine them closely, will find them to be voluntaries, fugues, solemn capriccios, not set compositions with any malice prepense in them, or much practical meaning. I believe some of his friends, who were indebted to him for the suggestion of plausible reasons for conformity, and an opening to a more qualified view of the letter of their paradoxical principles, have lately disgusted him by the virulence and extravagance to which they have carried hints, of which he never suspected that they would make the least possible use. But if Mr. Coleridge is satisfied with the wandering Moods of his Mind, perhaps this is no reason that others may not reap the solid benefit. He himself is like the idle sea-weed on the ocean, tossed from shore to shore: they are like barnacles fastened to the vessel of the state, rotting its goodly timbers!

There are some persons who are of too fastidious a turn of mind to like any thing long, or to assent twice to the same opinion. always sets himself to prop the falling cause, to nurse the ricketty bantling. He takes the part which he thinks in most need of his support, not so much out of magnanimity, as to prevent too great a degree of presumption or self-complacency on the triumphant side. "Though truth be truth, yet he contrives to throw such changes of vexation on it as it may lose some colour." I have been delighted to hear him expatiate with the most natural and affecting simplicity on a favourite passage or pic

ture, and all the while afraid of agreeing with him lest he should instantly turn round and unsay all that he had said, for fear of my going away with too good an opinion of my own taste, or too great an admiration of my idol—and his own. I dare not ask his opinion twice, if I have got a favourable sentence once, lest he should belie his own sentiments to stagger mine. I have heard him talk divinely (like one inspired) of Boccaccio, and the story of the Pot of Basil, describing "how it grew, and it grew, and it grew," till you saw it spread its tender leaves in the light of his eye, and wave in the tremulous sound of his voice; and yet if you asked him about it at another time, he would, perhaps, affect to think little of it, or to have forgotten the circumstance. His enthusiasm is fickle and treacherous. The instant he finds it shared in common, he backs out of it. His enmity is equally refined, but hardly so unsocial. His exquisitely turned invectives display all the beauty of scorn, and impart elegance to vulgarity. He sometimes finds out minute excellencies, and cries up one thing to put you out of conceit with another. If you want him to praise Sir Joshua con amore, in his best manner, you should begin with saying something about Titian-if you seem an idolizer of Sir Joshua, he will immediately turn off the discourse, gliding like the serpent before Eve, wary and beautiful, to the graces of Sir Peter Lely, or ask you if you saw a Vandyke the other day, which he does not think Sir Joshua_could_stand_near. But find fault with the Lake Poets, and mention some pretended patron of rising genius, and you need not fear but he will join in with you and go all lengths that you can wish him. You may calculate upon him there. "Pride elevates, and joy brightens his face." And, indeed, so eloquent is he, and so beautiful in his eloquence, that I myself, with all my freedom from gall and bitterness, could listen to him untired, and without knowing how the time went, losing and neglecting many a meal and hour,

From morn to noon, From noon to dewy eve, a summer's day!

When I cease to hear him quite, other tongues, turned to what ac

cents they may of praise or blame, will sound dull, ungrateful, out of tune, and harsh, in the comparison.

An overstrained enthusiasm produces a capriciousness in taste, as well as too much indifference. A person who sets no bounds to his admiration takes a surfeit of his favourites. He over-does the thing. He gets sick of his own everlasting praises, and affected raptures. His preferences are a great deal too violent to last. He wears out an author in a week, that might last him a year, or his life, by the eagerness with which he devours him. Every such favourite is in his turn the greatest writer in the world. Compared with the lord of the ascendant for the time being, Shakspeare is commonplace, and Milton a pedant, a little insipid or so. Some of these prodigies require to be dragged out of their lurking-places, and cried up to the top of the compass;-their traits are subtle, and must be violently obtruded on the sight. But the effort of exaggerated praise, though it may stagger others, tires the maker, and we hear of them no more after a while. Others take their turns, are swallowed whole, undigested, ravenously, and disappear in the same manner. Good authors share the fate of bad, and a library in a few years is nearly dismantled. It is a pity thus to outlive our admiration, and exhaust our relish of what is excellent. Actors and actresses are disposed of in the same conclusive peremptory way: some of them are talked of for months, nay, years; then it is almost an offence to mention them. Friends, acquaintance, go the same road;-are now asked to come six days in the week, then warned against coming the seventh. The smallest faults are soon magnified in those we think too highly of: but where shall we find perfection? If we will put up with nothing short of that, we shall have neither pictures, books, nor friends left-we shall have nothing but our own absurdities to keep company with! "In all things a regular and moderate indulgence is the best security for a lasting enjoy ment."-BURKE.

There are numbers who judge by the event, and change with fortune. They extol the hero of the day, and

join the prevailing clamour whatever it is; so that the fluctuating state of public opinion regulates their feverish, restless enthusiasm, like a thermometer. They blow hot or cold, according as the wind sets favourable or otherwise. With such people the only infallible test of merit is success; and no arguments are true that have not a large or powerful majority on their side. They go by appearances. Their vanity, not the truth, is their ruling object. They are not the last to quit a falling cause, and they are the first to hail the rising sun. Their minds want sincerity, modesty, and keeping. With them-

To have done is to hang Quite out of fashion, like a rusty mail In monumental mockery.

They still, "with one consent, praise new-born gauds," and Fame, as they construe it, is

Like a fashionable host, That slightly shakes his parting guest by the hand;

And with his arms outstretch'd, as he would fly, Grasps-in the comer.

smiles,

Welcome ever

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And Farewell goes out sighing. Such servile flatterers made an idol of Buonaparte while fortune smiled upon him, but when it left him, they removed him from his pedestal in the cabinet of their vanity, as we take down the picture of a relation that has died without naming us in his will. The opinion of such triflers is worth nothing: it is merely an echo. We do not want to be told the event of a question, but the rights of it. Truth is in their theory nothing but "noise and inexplicable dumb show." They are the heralds, outriders, and trumpeters in the procession of fame; are more loud and boisterous than the rest, and give themselves great airs, as the avowed patrons and admirers of genius and merit.

As there are many who change their sentiments with circumstances, (as they decided lawsuits in Rabelais with the dice), so there are others who change them with their acquaintance. "Tell me your company, and I'll tell you your opinions," might be said to many a man who piques himself on a select and superior view of things, distinct from the vulgar. Individuals of this class are quick and versatile, but they are not before

hand with opinion. They catch it, when it is pointed out to them, and take it at the rebound, instead of giving the first impulse. Their minds are a light, luxuriant soil, into which thoughts are easily transplanted, and shoot up with uncommon sprightliness and vigour. They wear the dress of other people's minds very gracefully and unconsciously. They tell you your own opinion, or very gravely repeat an observation you have made to them, about half a year afterwards. They let you into the delicacies and luxuries of Spenser with great disinterestedness, in return for your having introduced that author to their notice. They prefer West to Raphael, Stothard to Rubens, till they are told better. Still they are acute in the main, and good judges in their way. By trying to improve their taste, and reform their notions according to an ideal standard, they perhaps spoil and muddle their native faculties, rather than do them any good. Their first manner is their best, because it is the most natural. It is well not to go out of ourselves, and to be contented to take up with what we are, for better for worse. We can neither beg, borrow, nor steal characteristic excellencies. Some views and modes of thinking suit certain minds, as certain colours suit certain complexions. We may part with very shining and very useful qualities without getting better ones to supply them. Mocking is catching, only in regard to defects. Mimicry is always dangerous.

It is not necessary to change our road in order to advance on our journey. We should cultivate the spot of ground we possess to the utmost of our power, though it may be circumscribed and comparatively bar

ren.

A rolling stone gathers no moss, People may collect all the wisdom they will ever attain, quite as well by staying at home as by travelling abroad. There is no use in shifting from place to place, from side to side, or from subject to subject. You have always to begin again, and never finish any course of study or observation. By adhering to the same principles you do not become stationary. You enlarge, correct, and consolidate your reasonings, without contradicting and shuffling about in your conclusions. If truth consisted in hasty assumptions and petulant

contradictions, there might be some ground for this whiffling and violent inconsistency. But the face of truth, like that of nature, is different and the same. The first outline of an opinion, and the general tone of thinking, may be sound and correct, though we may spend any quantity of time and pains in working up and uniting the parts at subsequent sittings. If we have mistaken the character of the countenance altogether at first, no alterations will bring it right afterwards. Those who mistake white for black in the first instance, may just as well mistake black for white when they reverse their canvass. I do not see what security they can have in their present opinions, who build their pretension to wisdom on the total folly, rashness, and extravagance (to say no worse) of their former ones. The perspective may change with years and experience: we may see certain things nearer, and others more remote; but the great masses and landmarks will remain, though thrown into shadow and tinged by the intervening atmosphere: so the laws of the understanding, the truths of nature will remain, and cannot be thrown into utter confusion and perplexity by our blunders or caprice, like the objects in Hogarth's Rules of Perspective, where every thing is turned upside down, or thrust out of its well-known place. I cannot understand how our political Harlequins ¡feel after all their summersaults and metamorphoses. They can hardly, I should think, look at themselves in the glass, or walk across the room without stumbling. This at least would be the case if they had the smallest reflection or self-knowledge. But they judge from pique and vanity solely. There should be a certain decorum in life as in a picture, without which it is neither useful nor agreeable. If my own opinions are not right, at any rate they are the best I have been able to form, and better than any others I could take up at random, or out of perversity, now. Contrary opinions vitiate one another, and destroy the simplicity and clearness of the mind: nothing is good that has not a beginning, a middle, and an end; and I would wish my thoughts to be

Linked each to each by natural piety!

T.

THE DEPARTURE OF SUMMER.

SUMMER is gone on swallows' wings,
And Earth has buried all her flowers:
No more the lark, the linnet sings,
But Silence sits in faded bowers.
There is a shadow on the plain
Of Winter ere he comes again,-
There is in woods a solemn sound
Of hollow warnings whisper'd round,
As Echo in her deep recess

For once had turn'd a prophetess.
Shuddering Autumn stops to list,
And breathes his fear in sudden sighs,
With clouded face, and hazel eyes
That quench themselves, and hide in mist.

Yes, Summer's gone like pageant bright;
Its glorious days of golden light
Are gone-the mimic suns that quiver,
Then melt in Time's dark-flowing river.
Gone the sweetly scented breeze
That spoke in music to the trees;
Gone for damp and chilly breath,
As if fresh blown o'er marble seas,
Or newly from the lungs of Death.-
Gone its virgin roses' blushes,
Warm as when Aurora rushes
Freshly from the God's embrace,
With all her shame upon her face.

Old Time hath laid them in the mould;
Sure he is blind as well as old,

Whose hand relentless never spares
Young cheeks so beauty-bright as theirs!
Gone are the flame-eyed lovers now
From where so blushing-blest they tarried
Under the hawthorn's blossom-bough,
Gone; for Day and Night are married.
All the light of love is fled:-

Alas! that negro breasts should hide
The lips that were so rosy red,
At morning and at even-tide!

Delightful Summer! then adieu
"Till thou shalt visit us anew:
But who without regretful sigh
Can say-adieu-and see thee fly?

Not he that e'er hath felt thy power,

His joy expanding like a flower

That cometh after rain and snow,

Looks up at heaven and learns to glow:-
Not he that fled from Babel-strife
To the green sabbath-land of life,
To dodge dull Care 'mid cluster'd trees,
And cool his forehead in the breeze,-
Whose spirit, weary-worn perchance,
Shook from its wings a weight of grief,
And perch'd upon an aspen leaf,
For every breath to make it dance.

Farewell!-on wings of sombre stain,
That blacken in the last blue skies,

Tom Hood

Thou fly'st-but thou wilt come again
On the gay wings of butterflies.
Spring at thy approach will sprout
Her new Corinthian beauties out,
Leaf-woven homes, where twitter-words
Will grow to songs, and eggs to birds;
Ambitious buds shall swell to flowers,
And April smiles to sunny hours.
Bright days shall be, and gentle nights
Full of soft breath and echo-lights,
As if the God of sun-time kept
His eyes half-open while he slept.
Roses shall be where roses were,
Not shadows, but reality;
As if they never perish'd there,
But slept in immortality:

Nature shall thrill with new delight,

And Time's relumined river run

Warm as young blood, and dazzling bright,

As if its source were in the sun!

But say, hath Winter then no charms?
Is there no joy, no gladness warms
His aged heart? no happy wiles
To cheat the hoary one to smiles?
Onward he comes-the cruel North
Pours his furious whirlwind forth
Before him-and we breathe the breath
Of famish'd bears that howl to death.
Onward he comes from rocks that blanch
O'er solid streams that never flow,
His tears all ice, his locks all snow,
Just crept from some huge avalanche—
A thing half-breathing and half-warm,
As if one spark began to glow
Within some statue's marble form,
Or pilgrim stiffen'd in the storm.
O! will not Mirth's light arrows fail
To pierce that frozen coat of mail?
O! will not Joy but strive in vain
To light up those glazed eyes again?

No! take him in, and blaze the oak,
And pour the wine, and warm the ale;
His sides shall shake to many a joke,
His tongue shall thaw in many a tale,
His eyes grow bright, his heart be gay,
And even his palsy charm'd away.
What heeds he then the boisterous shout
Of angry winds that scold without,
Like shrewish wives at tavern door?
What heeds he then the wild uproar
Of billows bursting on the shore?
In dashing waves, in howling breeze,
There is a music that can charm him;
When safe, and shelter'd, and at ease,
He hears the storm that cannot harm him.

But hark! those shouts! that sudden din
Of little hearts that laugh within.
Oh! take him where the youngsters play,
And he will grow as young as they!

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