The Literary Works of Sir Joshua Reynolds: ... to which is Prefixed, a Memoir of the Author; with Remarks on His Professional Character, Illustrative of His Principles and Practice, Volum 1H. G. Bohn, 1852 |
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... Raffaelle , Michel Angelo , those two extraordi- nary men compared with each other . - The characteristical style . — Salvator Rosa mentioned as an example of that style ; and opposed to Carlo Maratti . - Sketch of the cha- racters of ...
... Raffaelle , Michel Angelo , those two extraordi- nary men compared with each other . - The characteristical style . — Salvator Rosa mentioned as an example of that style ; and opposed to Carlo Maratti . - Sketch of the cha- racters of ...
Side 56
... Raffaelle . 66 " Rome , " observes the author of the Lives of British Artists , in his spirited and entertaining account of Sir Joshua , ' Rome , which is in reality to painters what Parnassus is in imagination to poets , was frequently ...
... Raffaelle . 66 " Rome , " observes the author of the Lives of British Artists , in his spirited and entertaining account of Sir Joshua , ' Rome , which is in reality to painters what Parnassus is in imagination to poets , was frequently ...
Side 59
... Raffaelle and Michel Angelo as he thought would be most conducive to his future excellence , and by his well - directed study acquired , whilst he contemplated the best works of the best masters , that grace of thinking to which he was ...
... Raffaelle and Michel Angelo as he thought would be most conducive to his future excellence , and by his well - directed study acquired , whilst he contemplated the best works of the best masters , that grace of thinking to which he was ...
Side 61
... works of Michel Angelo and Raffaelle in the Vatican . " His impressions with respect to these performances , and the efforts which he subsequently made to acquire a better feeling for art than he brought with him SIR JOSHUA REYNOLds . 61.
... works of Michel Angelo and Raffaelle in the Vatican . " His impressions with respect to these performances , and the efforts which he subsequently made to acquire a better feeling for art than he brought with him SIR JOSHUA REYNOLds . 61.
Side 62
... Raffaelle , and would not believe that they had already passed through the rooms where they are preserved ; so little im- pression had these performances made on them . One of the first painters in France told me that this circum ...
... Raffaelle , and would not believe that they had already passed through the rooms where they are preserved ; so little im- pression had these performances made on them . One of the first painters in France told me that this circum ...
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The Literary Works of Sir Joshua Reynolds: ... to which is Prefixed ..., Volum 1 Sir Joshua Reynolds Uten tilgangsbegrensning - 1852 |
The Literary Works of Sir Joshua Reynolds ...: To which is Prefixed ..., Volum 1 Sir Joshua Reynolds,Henry William Beechy Uten tilgangsbegrensning - 1899 |
The Literary Works of Sir Joshua Reynolds ...: To which is Prefixed ..., Volum 1 Sir Joshua Reynolds,Henry William Beechey Uten tilgangsbegrensning - 1852 |
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8vo pub acquired admirable advantage afterwards ancient appear artists attention beautiful British Burke Carlo Maratti character Claude Lorrain cloth gilt complete composition considered Correggio dignity discourse distinguished Ditto drapery Duke Edition Edmund Burke effect eminent employed endeavour England English Engravings excellence exhibition expression Farington fcap feeling figures genius gilt cloth gilt edges give half bound half morocco half-bound morocco HISTORY honour idea illustrated imagination imitation improved invention Italy Johnson labour light Lord Malone manner masters merit Michel Angelo mind morocco nation nature never object observed occasion opinion ornaments painter painting Paul Veronese peculiar perfection picture Plates pub Portrait pub post 8vo practice principles printed produced profession Raffaelle remarks Rembrandt respect royal 4to royal 8vo Royal Academy says Northcote simplicity Sir Joshua Reynolds society Somerset House student style talent taste thick vol thought Titian truth Venetian Venetian school Woodcuts
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Side 167 - Here Reynolds is laid, and to tell you my mind, He has not left a wiser or better behind. His pencil was striking, resistless, and grand ; His manners were gentle, complying, and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart. To coxcombs averse, yet most civilly steering, When they judged without skill he was still hard of hearing : When they talked of their Raphaels, Correggios, and stuff, He shifted his trumpet and only took snuff.
Side 271 - His talents of every kind, powerful from nature, and not meanly cultivated by letters, his social virtues in all the relations, and all the habitudes of life, rendered him the centre of a very great and unparalleled variety of agreeable societies, which will be dissipated by his death. He had too much merit not to excite some jealousy, too much innocence to provoke any enmity. The loss of no man of his time can be felt with more sincere, general, and unmixed sorrow. "Hail! and farewell...
Side 334 - There is no excellent Beauty that hath not some strangeness in the proportion. A man cannot tell, whether Apelles or Albert Durer were the more trifler; whereof the one would make a personage by geometrical proportions, the other by taking the best parts out of divers faces to make one Excellent.
Side 331 - who takes for his model such forms as nature produces, and confines himself to an exact imitation of them, will never attain to what is perfectly beautiful. For the works of nature are full of disproportion, and fall very short of the true standard of beauty. So that Phidias, when he formed his Jupiter, did not copy any object ever presented to his sight; but contemplated only that image which he had conceived in his mind from Homer's description.
Side 308 - I would chiefly recommend that an implicit obedience to the rules of art, as established by the practice of the great masters, should be exacted from the young students. That those models, which have passed through the approbation of ages, should be considered by them as perfect and infallible guides; as subjects for their imitation, not their criticism.
Side 68 - ... surface, but lies deep, and at the first view is seen but mistily. " It is the florid style which strikes at once, and captivates the eye for a time, without ever satisfying the judgment.
Side 40 - It is indisputably evident that a great part of every man's life, must be employed in collecting materials for the •exercise of genius. Invention, strictly speaking, is little more than a new combination of those images which have been previously gathered and deposited in the memory: nothing can come of nothing : he who has laid up no materials can produce no combinations.
Side 181 - The King has lately been pleased to make me Professor of Ancient History in a Royal Academy of Painting, which he has just established, but there is no salary annexed; and I took it rather as a compliment to the institution than any benefit to myself. Honours to one in my situation are something like ruffles to a man that wants a shirt.
Side 16 - Essays : on Decision of Character ; on a Man's writing Memoirs of Himself ; on the epithet Romantic ; on the aversion of Men of Taste to Evangelical Religion, y.
Side 103 - The duration and stability of their fame is sufficient to evince that it has not been suspended upon the slender thread of fashion and caprice, but bound to the human heart by every tie of sympathetic approbation.