The Literary Works of Sir Joshua Reynolds: ... to which is Prefixed, a Memoir of the Author; with Remarks on His Professional Character, Illustrative of His Principles and Practice, Volum 1H. G. Bohn, 1852 |
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... attention of the Artist , in proportion to their stability or their influence . 406 DISCOURSE VIII . The principles of Art , whether Poetry or Painting , have their foundation in the mind ; such as novelty , variety , and contrast ...
... attention of the Artist , in proportion to their stability or their influence . 406 DISCOURSE VIII . The principles of Art , whether Poetry or Painting , have their foundation in the mind ; such as novelty , variety , and contrast ...
Side 1
... attention to the state in which he found them at the period when he came to their rescue ; and , if we estimate , at the same time , the results of the labours of others , who had pre- viously endeavoured to advance or to maintain the ...
... attention to the state in which he found them at the period when he came to their rescue ; and , if we estimate , at the same time , the results of the labours of others , who had pre- viously endeavoured to advance or to maintain the ...
Side 33
... attention and kindness of some person bearing the same name , who , if he should happen to have no natural object of his care , might be led even from so slight a circumstance to become a benefactor . Hence our author derived the ...
... attention and kindness of some person bearing the same name , who , if he should happen to have no natural object of his care , might be led even from so slight a circumstance to become a benefactor . Hence our author derived the ...
Side 38
... attention which was paid by a boy of eight years old to the study of a work on so dry a subject as per- spective , showed an effort of the mind which deserved to be encouraged , and Mr. Reynolds acted wisely in noticing it . Having now ...
... attention which was paid by a boy of eight years old to the study of a work on so dry a subject as per- spective , showed an effort of the mind which deserved to be encouraged , and Mr. Reynolds acted wisely in noticing it . Having now ...
Side 48
... attention . But if we consider the means by which Reynolds advanced in his profession , and acquired so considerable a portion of general knowledge with very slender advantages of education , we shall probably be inclined to attach more ...
... attention . But if we consider the means by which Reynolds advanced in his profession , and acquired so considerable a portion of general knowledge with very slender advantages of education , we shall probably be inclined to attach more ...
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The Literary Works of Sir Joshua Reynolds: ... to which is Prefixed ..., Volum 1 Sir Joshua Reynolds Uten tilgangsbegrensning - 1852 |
The Literary Works of Sir Joshua Reynolds ...: To which is Prefixed ..., Volum 1 Sir Joshua Reynolds,Henry William Beechy Uten tilgangsbegrensning - 1899 |
The Literary Works of Sir Joshua Reynolds ...: To which is Prefixed ..., Volum 1 Sir Joshua Reynolds,Henry William Beechey Uten tilgangsbegrensning - 1852 |
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Side 167 - Here Reynolds is laid, and to tell you my mind, He has not left a wiser or better behind. His pencil was striking, resistless, and grand ; His manners were gentle, complying, and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart. To coxcombs averse, yet most civilly steering, When they judged without skill he was still hard of hearing : When they talked of their Raphaels, Correggios, and stuff, He shifted his trumpet and only took snuff.
Side 271 - His talents of every kind, powerful from nature, and not meanly cultivated by letters, his social virtues in all the relations, and all the habitudes of life, rendered him the centre of a very great and unparalleled variety of agreeable societies, which will be dissipated by his death. He had too much merit not to excite some jealousy, too much innocence to provoke any enmity. The loss of no man of his time can be felt with more sincere, general, and unmixed sorrow. "Hail! and farewell...
Side 334 - There is no excellent Beauty that hath not some strangeness in the proportion. A man cannot tell, whether Apelles or Albert Durer were the more trifler; whereof the one would make a personage by geometrical proportions, the other by taking the best parts out of divers faces to make one Excellent.
Side 331 - who takes for his model such forms as nature produces, and confines himself to an exact imitation of them, will never attain to what is perfectly beautiful. For the works of nature are full of disproportion, and fall very short of the true standard of beauty. So that Phidias, when he formed his Jupiter, did not copy any object ever presented to his sight; but contemplated only that image which he had conceived in his mind from Homer's description.
Side 308 - I would chiefly recommend that an implicit obedience to the rules of art, as established by the practice of the great masters, should be exacted from the young students. That those models, which have passed through the approbation of ages, should be considered by them as perfect and infallible guides; as subjects for their imitation, not their criticism.
Side 68 - ... surface, but lies deep, and at the first view is seen but mistily. " It is the florid style which strikes at once, and captivates the eye for a time, without ever satisfying the judgment.
Side 40 - It is indisputably evident that a great part of every man's life, must be employed in collecting materials for the •exercise of genius. Invention, strictly speaking, is little more than a new combination of those images which have been previously gathered and deposited in the memory: nothing can come of nothing : he who has laid up no materials can produce no combinations.
Side 181 - The King has lately been pleased to make me Professor of Ancient History in a Royal Academy of Painting, which he has just established, but there is no salary annexed; and I took it rather as a compliment to the institution than any benefit to myself. Honours to one in my situation are something like ruffles to a man that wants a shirt.
Side 16 - Essays : on Decision of Character ; on a Man's writing Memoirs of Himself ; on the epithet Romantic ; on the aversion of Men of Taste to Evangelical Religion, y.
Side 103 - The duration and stability of their fame is sufficient to evince that it has not been suspended upon the slender thread of fashion and caprice, but bound to the human heart by every tie of sympathetic approbation.