Wordsworth's Informed Reader: Structures of Experience in His PoetryVanderbilt University Press, 1988 - 270 sider |
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Side 7
... allowing his mind to be the element on which the poet's images are stamped , the reader rescues the poem from its ... allows us to see its dramatic aspects not only in its structure but also in the mental action and reaction at work ...
... allowing his mind to be the element on which the poet's images are stamped , the reader rescues the poem from its ... allows us to see its dramatic aspects not only in its structure but also in the mental action and reaction at work ...
Side 56
... allows Wordsworth to revivify perception , but the response it elicits makes it inappropriate for trans- forming ... allow his audience to view ordinary human suffering as a power as awe - inspiring as heroism . In his program of leading ...
... allows Wordsworth to revivify perception , but the response it elicits makes it inappropriate for trans- forming ... allow his audience to view ordinary human suffering as a power as awe - inspiring as heroism . In his program of leading ...
Side 177
... allows his audience to move slowly toward immortality , to transcend the human " earthly , worm - like state " without the danger of precipitous abstraction . In the progression of poems dealing with suffering and death , " Resolution ...
... allows his audience to move slowly toward immortality , to transcend the human " earthly , worm - like state " without the danger of precipitous abstraction . In the progression of poems dealing with suffering and death , " Resolution ...
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action affections appears argues audience become boy's calm child childhood Convention of Cintra crit critics death discussion Dorothy Wordsworth earlier echoes edition elicit emphasis Excursion experience external faculty sections fancy feelings final gradual hath heart hope human suffering imagination important infinity Laodamia look Margaret mental mind Modern Language Association moon moral Mount Snowdon episode moved narrative narrator narrator's natural forms Nature's Ode to Duty passion passive Peele Castle perceiver perception persona physical pleasure poem Poet Poet's Preface Prelude Press PrW III reader reading recognizes response reveals rock Samuel Taylor Coleridge scene seems seen sense sensory shape similar Simon Lee Solitary Solitary's soul spiritual stanza stresses sublime surprise sympathy tale temporal things thought Tintern Abbey tion transcendence transform vale vision visionary dreariness W. G. T. Shedd Wanderer Wanderer's weakness William Wordsworth Words Wordsworth Circle Wordsworth's poetry worth