Wordsworth's Informed Reader: Structures of Experience in His PoetryVanderbilt University Press, 1988 - 270 sider |
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Side 112
... evidence qualifying Michael's position . The haunting line , " And never lifted up a single stone " ( 466 ) , serves Wordsworth's twofold purpose well . While an em- pathetic reading can interpret Michael's response as evidence of ...
... evidence qualifying Michael's position . The haunting line , " And never lifted up a single stone " ( 466 ) , serves Wordsworth's twofold purpose well . While an em- pathetic reading can interpret Michael's response as evidence of ...
Side 253
... evidence to sweeping conclusions , to dismiss or condemn legitimate humanitarian or ethical considerations which conflict with its enthusiasms , and to dwell within a linguistic realm in which hyperbole is commonplace . I am emphasizing ...
... evidence to sweeping conclusions , to dismiss or condemn legitimate humanitarian or ethical considerations which conflict with its enthusiasms , and to dwell within a linguistic realm in which hyperbole is commonplace . I am emphasizing ...
Side 256
... evidence of Wordsworth's indebtedness to Hartley . Although Judson Stanley Lyon , The Excursion : A Study ( New Haven : Yale University Press , 1950 ) , p . 83 , finds no evidence that Wordsworth held a Hartleian view , he nevertheless ...
... evidence of Wordsworth's indebtedness to Hartley . Although Judson Stanley Lyon , The Excursion : A Study ( New Haven : Yale University Press , 1950 ) , p . 83 , finds no evidence that Wordsworth held a Hartleian view , he nevertheless ...
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action affections appears argues audience become boy's calm child childhood Convention of Cintra crit critics death discussion Dorothy Wordsworth earlier echoes edition elicit emphasis Excursion experience external faculty sections fancy feelings final gradual hath heart hope human suffering imagination important infinity Laodamia look Margaret mental mind Modern Language Association moon moral Mount Snowdon episode moved narrative narrator narrator's natural forms Nature's Ode to Duty passion passive Peele Castle perceiver perception persona physical pleasure poem Poet Poet's Preface Prelude Press PrW III reader reading recognizes response reveals rock Samuel Taylor Coleridge scene seems seen sense sensory shape similar Simon Lee Solitary Solitary's soul spiritual stanza stresses sublime surprise sympathy tale temporal things thought Tintern Abbey tion transcendence transform vale vision visionary dreariness W. G. T. Shedd Wanderer Wanderer's weakness William Wordsworth Words Wordsworth Circle Wordsworth's poetry worth