Wordsworth's Informed Reader: Structures of Experience in His PoetryVanderbilt University Press, 1988 - 270 sider |
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Side 60
... force of opposition matching the furious force of the storm , the Castle becomes the only solid form in the landscape . Its form no longer lies " sleeping on a glassy sea " ( 4 ) , but “ standing . . sublime ” ( 49 ) in " armour " ( 51 ) ...
... force of opposition matching the furious force of the storm , the Castle becomes the only solid form in the landscape . Its form no longer lies " sleeping on a glassy sea " ( 4 ) , but “ standing . . sublime ” ( 49 ) in " armour " ( 51 ) ...
Side 68
... forces . The integrity of its form in moving " all together , if it move at all " ( 77 ) not only belies its apparent ephemerality but also intimates that an internal rather than an external force causes its movement . In several ...
... forces . The integrity of its form in moving " all together , if it move at all " ( 77 ) not only belies its apparent ephemerality but also intimates that an internal rather than an external force causes its movement . In several ...
Side 77
... forces within the narrative - Margaret's mind and external events- into near equilibrium . The malignant , chaotic force of Nature has ad- vanced one step further so that Margaret , her “ ' tattered clothes . . . ruffled by the wind ...
... forces within the narrative - Margaret's mind and external events- into near equilibrium . The malignant , chaotic force of Nature has ad- vanced one step further so that Margaret , her “ ' tattered clothes . . . ruffled by the wind ...
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able action active affections allows apparent argues arises attention audience become Book characters child childhood clear create crit critics death desire discussion earlier early echoes edition elements elicit evidence Excursion expectation experience external face faculty fancy feelings final finds follows force gradual heart hill hope human imagination important impression individual instance kind knowledge lack later leads lines live look mental mind moon moral moved narrative narrator Nature never object passion passive perceiver perception physical pleasure poem Poet Poet's poetic poetry possible Prelude present Press principle produce reader reading recognizes reflection relation requires response result reveals rock scene seems seen sense shape similar Solitary Solitary's soul spiritual stresses structure sublime suffering suggests surprise tale things thought tion transform truth University vision visionary Wanderer Wanderer's weakness Wordsworth worth