Wordsworth's Informed Reader: Structures of Experience in His PoetryVanderbilt University Press, 1988 - 270 sider |
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Side 9
... moral dimension resides not in directives for action or moral maxims but in its ability to transform readers internally in ways necessary to promote moral action.5 In Wordsworth's experience , Nature provided the best example of how to ...
... moral dimension resides not in directives for action or moral maxims but in its ability to transform readers internally in ways necessary to promote moral action.5 In Wordsworth's experience , Nature provided the best example of how to ...
Side 11
... moral feelings are awakened , and our moral sensibilities exercised . " 15 The material universe works to " awaken those latent feelings of benevolence and sympathy , from which all the moral or intellectual greatness of man finally ...
... moral feelings are awakened , and our moral sensibilities exercised . " 15 The material universe works to " awaken those latent feelings of benevolence and sympathy , from which all the moral or intellectual greatness of man finally ...
Side 19
... moral standard . Instead of seeking morality in the images of Nature , he adopts the method of " syllogistic words " ( XII . 84 ) and formal proof . Because such abstractions have no substantial shape , no solid form , they cannot touch ...
... moral standard . Instead of seeking morality in the images of Nature , he adopts the method of " syllogistic words " ( XII . 84 ) and formal proof . Because such abstractions have no substantial shape , no solid form , they cannot touch ...
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action affections appears argues audience become boy's calm child childhood Convention of Cintra crit critics death discussion Dorothy Wordsworth earlier echoes edition elicit emphasis Excursion experience external faculty sections fancy feelings final gradual hath heart hope human suffering imagination important infinity Laodamia look Margaret mental mind Modern Language Association moon moral Mount Snowdon episode moved narrative narrator narrator's natural forms Nature's Ode to Duty passion passive Peele Castle perceiver perception persona physical pleasure poem Poet Poet's Preface Prelude Press PrW III reader reading recognizes response reveals rock Samuel Taylor Coleridge scene seems seen sense sensory shape similar Simon Lee Solitary Solitary's soul spiritual stanza stresses sublime surprise sympathy tale temporal things thought Tintern Abbey tion transcendence transform vale vision visionary dreariness W. G. T. Shedd Wanderer Wanderer's weakness William Wordsworth Words Wordsworth Circle Wordsworth's poetry worth