Wordsworth's Informed Reader: Structures of Experience in His PoetryVanderbilt University Press, 1988 - 270 sider |
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Side 63
... moved not ” ( 406–8 ) . As the soldier's response to suffering indicates , this " awful steadi- ness " applies as well to his mind , one like that in " Elegiac Stanzas , suggested by a Picture of Peele Castle , " " unmoved " ( 418 ) by ...
... moved not ” ( 406–8 ) . As the soldier's response to suffering indicates , this " awful steadi- ness " applies as well to his mind , one like that in " Elegiac Stanzas , suggested by a Picture of Peele Castle , " " unmoved " ( 418 ) by ...
Side 79
... moved toward more meditative appre- ciation of the sublimity in suffering . He is “ moved " ( I. 917 ) but responds with subdued awe rather than his earlier tumultuous passion . Advanc- ing closer to the Wanderer's " fraternal sympathy ...
... moved toward more meditative appre- ciation of the sublimity in suffering . He is “ moved " ( I. 917 ) but responds with subdued awe rather than his earlier tumultuous passion . Advanc- ing closer to the Wanderer's " fraternal sympathy ...
Side 156
... moved from Poems Founded on the Affections to Poems of the Imagination . In the 1815 and 1820 editions of the poems , when " Laodamia " is placed in Affections , the final response of the narrator shows and invites a sympathetic ...
... moved from Poems Founded on the Affections to Poems of the Imagination . In the 1815 and 1820 editions of the poems , when " Laodamia " is placed in Affections , the final response of the narrator shows and invites a sympathetic ...
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able action active affections allows apparent argues arises attention audience become Book characters child childhood clear create crit critics death desire discussion earlier early echoes edition elements elicit evidence Excursion expectation experience external face faculty fancy feelings final finds follows force gradual heart hill hope human imagination important impression individual instance kind knowledge lack later leads lines live look mental mind moon moral moved narrative narrator Nature never object passion passive perceiver perception physical pleasure poem Poet Poet's poetic poetry possible Prelude present Press principle produce reader reading recognizes reflection relation requires response result reveals rock scene seems seen sense shape similar Solitary Solitary's soul spiritual stresses structure sublime suffering suggests surprise tale things thought tion transform truth University vision visionary Wanderer Wanderer's weakness Wordsworth worth