Wordsworth's Informed Reader: Structures of Experience in His PoetryVanderbilt University Press, 1988 - 270 sider |
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Side 52
... narrator's lack of imagination can be found in his use of the owls and the moon . The frequency with which he refers to them is immediately striking . The narrator refers to the moon fifteen times and the owls five times , but he uses ...
... narrator's lack of imagination can be found in his use of the owls and the moon . The frequency with which he refers to them is immediately striking . The narrator refers to the moon fifteen times and the owls five times , but he uses ...
Side 141
... narrator to the possibility that such a reaction , as still and mute as the boy of Winander's , is one that “ . . . reject [ s ] all show of pride , admits no outward sign , / Because not of this noisy world , but silent and divine ...
... narrator to the possibility that such a reaction , as still and mute as the boy of Winander's , is one that “ . . . reject [ s ] all show of pride , admits no outward sign , / Because not of this noisy world , but silent and divine ...
Side 180
... narrator's but also the reader's despair . Wordsworth's gradual development of the reader's powers also makes it possible to participate in the narrator's thoughts that transcend this anguish . The narrator's first solution is through ...
... narrator's but also the reader's despair . Wordsworth's gradual development of the reader's powers also makes it possible to participate in the narrator's thoughts that transcend this anguish . The narrator's first solution is through ...
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action affections appears argues audience become boy's calm child childhood Convention of Cintra crit critics death discussion Dorothy Wordsworth earlier echoes edition elicit emphasis Excursion experience external faculty sections fancy feelings final gradual hath heart hope human suffering imagination important infinity Laodamia look Margaret mental mind Modern Language Association moon moral Mount Snowdon episode moved narrative narrator narrator's natural forms Nature's Ode to Duty passion passive Peele Castle perceiver perception persona physical pleasure poem Poet Poet's Preface Prelude Press PrW III reader reading recognizes response reveals rock Samuel Taylor Coleridge scene seems seen sense sensory shape similar Simon Lee Solitary Solitary's soul spiritual stanza stresses sublime surprise sympathy tale temporal things thought Tintern Abbey tion transcendence transform vale vision visionary dreariness W. G. T. Shedd Wanderer Wanderer's weakness William Wordsworth Words Wordsworth Circle Wordsworth's poetry worth