Gerard Manley Hopkins and Tractarian PoetryGerard Manley Hopkins and Tractarian Poetry for the first time locates Hopkins and his work within the vital aesthetic and religious cultures of his youth. It introduces some of the most powerful cultural influences on his poetry as well as some of the most influential poets, from the well-known fellow convert John Henry Newman to the almost forgotten historian and poet Richard Dixon. From within the context of Hopkins' developing catholic sensibilities it assesses the impact of and his responses to issues of the time which related to his own religious and aesthetic perceptions, and provides a rich and intricate background against which to view both his early, often neglected poetry and the justly famous, idiosyncratic and deeply moving verse of his mature years.By detailing the influences Tractarian poetry had upon Hopkins' early work, and applying these to the productions of his later years, Gerard Manley Hopkins and Tractarian Poetry demonstrates how Hopkins' best known, mature works evolved from his upbringing in the Church of England and remained always indebted to this early culture. It offers readings of his works in light of a new appraisal of the contexts from which Hopkins himself grew, providing a fresh approach to this most challenging and rewarding of poets.* Encompasses both early and late works* Introduces other lesser-known poets in the Tractarian mode* Provides a new and detailed historical context for Hopkins' poetry |
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Innhold
Early Tractarian Poetry | 16 |
Richard Watson Dixon | 59 |
Christina Rossetti | 94 |
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Gerard Manley Hopkins and Tractarian Poetry Margaret Johnson Ingen forhåndsvisning tilgjengelig - 2019 |
Vanlige uttrykk og setninger
acceptance analogy Anglican appeared aspects attempt awareness beauty become beginning belief Catholic Christ Christian church close concept connection considered conversion criticism death described developed distinction divine Dixon doctrine Dolben early earth elements emotion emphasis Eucharist evident existence expression eyes faith feelings give God's grace heart heaven Hopkins human idea identified images important Incarnation indicate influence interest Keble Keble's later less letter light lines look Lyra Mary matter means metaphor mind Movement nature never Newman notes object once original Oxford physical poem poet poetic poetry position possible Pre-Raphaelite presence references relation religious remains revealed role Roman Catholic Rossetti seems seen sense similar sonnet soul speaker spiritual suggests symbol theology theory things Thou thought Tractarian tradition true truth understanding verse vision women writing written wrote