Gerard Manley Hopkins and Tractarian PoetryAshgate, 1997 - 310 sider Gerard Manley Hopkins and Tractarian Poetry for the first time locates Hopkins and his work within the vital aesthetic and religious cultures of his youth. It introduces some of the most powerful cultural influences on his poetry as well as some of the most influential poets, from the well-known fellow convert John Henry Newman to the almost forgotten historian and poet Richard Dixon. From within the context of Hopkins' developing catholic sensibilities it assesses the impact of and his responses to issues of the time which related to his own religious and aesthetic perceptions, and provides a rich and intricate background against which to view both his early, often neglected poetry and the justly famous, idiosyncratic and deeply moving verse of his mature years.By detailing the influences Tractarian poetry had upon Hopkins' early work, and applying these to the productions of his later years, Gerard Manley Hopkins and Tractarian Poetry demonstrates how Hopkins' best known, mature works evolved from his upbringing in the Church of England and remained always indebted to this early culture. It offers readings of his works in light of a new appraisal of the contexts from which Hopkins himself grew, providing a fresh approach to this most challenging and rewarding of poets.* Encompasses both early and late works* Introduces other lesser-known poets in the Tractarian mode* Provides a new and detailed historical context for Hopkins' poetry |
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Side 36
... object . At the same time that he composed ' All as that moth ' in 1864 , he was experimenting with this idea that the spiritual beauty of an object was ontological , and resided not beyond itself , as Keble suggested , but also within ...
... object . At the same time that he composed ' All as that moth ' in 1864 , he was experimenting with this idea that the spiritual beauty of an object was ontological , and resided not beyond itself , as Keble suggested , but also within ...
Side 180
... object , and its hæcceitas , or thisness . The originary mode of perception of an object he called intuitive cognition ; it revealed the essence of that one particular object . Following this came abstractive cognition , whereby the ...
... object , and its hæcceitas , or thisness . The originary mode of perception of an object he called intuitive cognition ; it revealed the essence of that one particular object . Following this came abstractive cognition , whereby the ...
Side 237
... objects : but we then descend from the higher , but silent , impression of awe , veneration , and wonder . Such , for instance , are those with which we first contemplate a vast religious edifice , or some grand object in nature . When ...
... objects : but we then descend from the higher , but silent , impression of awe , veneration , and wonder . Such , for instance , are those with which we first contemplate a vast religious edifice , or some grand object in nature . When ...
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Early Tractarian Poetry | 16 |
Richard Watson Dixon | 59 |
Christina Rossetti | 94 |
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Gerard Manley Hopkins and Tractarian Poetry Margaret Johnson Ingen forhåndsvisning tilgjengelig - 2019 |
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acceptance analogy Anglican appeared attempt beauty become beginning belief Christ Christian Christina church close concept connection considered conversion Critical death described developed distinction divine Dixon doctrine Dolben early earth elements emotion Eucharist evident existence expression eyes faith feelings Gerard Manley Hopkins give God's grace heart heaven High Hopkins human idea identified images Imagination important Incarnation indicate influence interest John Keble Keble's language later less letter light lines London look Lyra Mary matter means metaphor mind Movement nature Newman notes object once original Oxford physical poem poet poetic poetry position possible Pre-Raphaelite presence references religious remains revealed Roman Roman Catholic Rossetti sense similar sonnet soul speaker spiritual Studies suggests symbol theology theory things Thou thought Tractarian tradition truth understanding University Press verse Victorian vision women writing written wrote