Shakespeare and His CriticsDuckworth, 1949 - 522 sider |
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Side 171
... imagination ' as we say ... In the imaginative life no such action is necessary , and , therefore , the whole consciousness may be focused upon the perceptive and the emotional aspects of the experience . In this way we get , in the ...
... imagination ' as we say ... In the imaginative life no such action is necessary , and , therefore , the whole consciousness may be focused upon the perceptive and the emotional aspects of the experience . In this way we get , in the ...
Side 311
... imagination instantly back from the grown woman to the helpless condition of infancy , and places the first and most trying scene of his misfortunes before us , with all that he must have suffered in the interval . . . . It is not ' a ...
... imagination instantly back from the grown woman to the helpless condition of infancy , and places the first and most trying scene of his misfortunes before us , with all that he must have suffered in the interval . . . . It is not ' a ...
Side 447
... imagination , suddenly wrenched from all its accustomed holds and resting - places in the soul , this is what Shakespeare has given , and what nobody else but he could give ... That which aggravates the sense of sympathy in the reader ...
... imagination , suddenly wrenched from all its accustomed holds and resting - places in the soul , this is what Shakespeare has given , and what nobody else but he could give ... That which aggravates the sense of sympathy in the reader ...
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FROM FIRST FOLIO Frontispiece | 40 |
SHAKESPEARES MONUMENT IN STRATFORD CHURCH facing page | 67 |
PLAYWRIGHTS AND PLAYERS | 73 |
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acted action actor Antony Bacon beauty character Cleopatra Coleridge comedy Coriolanus criticism Cymbeline daughter death dramatic dramatist Dryden Elizabethan English eyes Falstaff feeling Fletcher Folio genius Hamlet hath haue HAZLITT Heminge Henry Henry VI hero honour human humour imagery images imagination Jaggard John Johnson Julius Cæsar King Lear labour living London Lord Love's Labour's Lost Macbeth Maiesties Marlowe merely mind moral nature never night noble Othello Palladis Tamia passages passion performance perhaps Pericles players plot poem poet poetry Prince prose published Quarto rhyme Richard Richard II Romeo and Juliet scene seems sense Seruants Shake Shakespeare's plays Shrew Sonnets speak speare speare's speech stage Stratford Tempest theatre thee things Thomas thou thought Timon Titus Andronicus tragedy tragic Troilus and Cressida true Venus and Adonis verse vnto whole William Shakespeare Winter's Tale words writing written wrote