The erotic dream machine: interviews with Alain Robbe-Grillet on his films
Southern Illinois University Press, 1. sep. 1992 - 190 sider
In a revealing series of interviews, Anthony N. Fragola and Roch C. Smith examine all nine of Robbe-Grillet’s films, specifically exploring the cultural milieu to which the films are closely related.
Readers are encouraged to view Robbe-Grillet from a variety of perspectives: as the auteur who probes various stylistic techniques and devices, especially the use of eroticism as a structural metaphor; as the international artist; as the detached observer; and as the impassioned creator.
The nine films covered are Last Year at Marienbad, L’Immortelle, Trans-Europ-Express, The Man Who Lies, Eden and After, N Took the Dice, The Progressive Slidings of Pleasure, Playing with Fire, and La Belle Captive.
Along with interviews available nowhere else, this book includes a gallery of illustrations from Robbe-Grillet’s films as well as a filmography and bibliography of work by and about Robbe-Grillet.
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When the film was almost finished, because of the orientation it was taking, I
thought that the title Opera Incestuosa would be much more beautiful. The
producer did not agree. The film had a reasonable public success, and it is likely
that for ...
Anicee Alvina opens doors onto a new room each time, but once she suddenly
opens a door onto the opera hall, and that produces an effect that is fairly
successful in the film. The building became increasingly larger as the film
Also known as the Opera-Comique, the Salle Favart is a smaller opera house
built in Paris in 1898 in the same district as the better known Palais Gamier,
which until recently housed the Paris Opera. 3. Hotels des marechaux is the
name given ...
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The Man Who Lies
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