The Erotic Dream Machine: Interviews with Alain Robbe-Grillet on His FilmsSouthern Illinois University Press, 1992 - 190 sider In this revealing series of interviews with Alain Robbe-Grillet, Anthony N. Fragola and Roch C. Smith provide an intimate, perceptive profile of the artist. Known primarily as a writer whose experimental novels have had a major influence on the writing of fiction in the twentieth century, Robbe-Grillet is also a highly acclaimed filmmaker whose works include Last Year at Marienbad, L'Immortelle, Trans-Europ-Express, and The Progressive Slidings of Pleasure. Robbe-Grillet is a visionary who seeks to discover unfamiliar ways of seeing and interpreting. His films, like his novels, challenge the limits of expected narrative structures and question the comfortable assumptions of conventional realism. In the interviews, conducted from 1982 until 1991, Fragola and Smith examine all nine of the films that Robbe-Grillet has created, specifically exploring the cultural milieu to which they are so closely and problematically related. This is the first such work in which Robbe-Grillet comprehensively discusses his views on aesthetics, philosophy, sociology, and literature as well as on filmmaking. The reader is encouraged to view him from a variety of perspectives: as the auteur who probes various stylistic techniques and devices, especially the use of eroticism as a structural metaphor; as the international artist who discusses the complex structures, allusions, and thematic intentions that occur in his films; as the detached observer exploring his own use of stereotypes and myths; and as the impassioned creator who defends and explains his position concerning the controversial depiction of sado-eroticism in his films. This book conveys a wide awareness and keen appreciation of Robbe-Grillet'sfilms, especially to American audiences where they are least known. Certain to be a lasting tribute to Robbe-Grillet's cinematic work, it will encourage informed discussion among students and scholars. The book includes a gallery of illustrations from Robbe-Grillet's films as well as a filmography and bibliography of his work and works about him. |
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Side 27
... actress , as if he were not really in the same world as she was . ( In private life the actress was in fact his wife ! ) Another element of L'Immortelle that shocked spectators was that the city of Istanbul did not seem to lend itself ...
... actress , as if he were not really in the same world as she was . ( In private life the actress was in fact his wife ! ) Another element of L'Immortelle that shocked spectators was that the city of Istanbul did not seem to lend itself ...
Side 57
... actress to play the role of Catherine Jourdan's double , since I did not even know that Catherine Jourdan would be the main actress . I only knew there would be a female character . We shot for a month in Czechoslo- vakia at a time when ...
... actress to play the role of Catherine Jourdan's double , since I did not even know that Catherine Jourdan would be the main actress . I only knew there would be a female character . We shot for a month in Czechoslo- vakia at a time when ...
Side 125
... actress and myself , or Trintignant and an actress . It is certainly true , although not over too long a period , that additional shooting time is an advantage . In La Belle Captive , however , Alekan asked that the film be shot quickly ...
... actress and myself , or Trintignant and an actress . It is certainly true , although not over too long a period , that additional shooting time is an advantage . In La Belle Captive , however , Alekan asked that the film be shot quickly ...
Innhold
Introduction | 1 |
TransEuropExpress | 34 |
The Man Who Lies | 41 |
Opphavsrett | |
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The Erotic Dream Machine: Interviews with Alain Robbe-Grillet on His Films Anthony N. Fragola,Roch Charles Smith Ingen forhåndsvisning tilgjengelig - 1992 |
Vanlige uttrykk og setninger
actor Alain Robbe-Grillet American appear AR-G asked audience become beginning Belle Captive called camera Catherine character cinema color completely continuity course create critics diegesis directed director dream Eden editing effect elements entire everything exactly example exist explain fact film filmmaker France French hand idea imagination important included interesting Italy kind L'Immortelle La Belle Captive Last later less Lies look Marienbad material meaning montage narration narrative nature never novel objects Opera original painting Paris particular perhaps play Playing With Fire possible producer Progressive Slidings question realism reality reference relationship Resnais role scene script seems sense shooting shot Slidings Slidings of Pleasure sound speak story structure theme thought Translated Trintignant true University viewer wanted woman women write written wrote York young