The Erotic Dream Machine: Interviews with Alain Robbe-Grillet on His FilmsSouthern Illinois University Press, 1992 - 190 sider In this revealing series of interviews with Alain Robbe-Grillet, Anthony N. Fragola and Roch C. Smith provide an intimate, perceptive profile of the artist. Known primarily as a writer whose experimental novels have had a major influence on the writing of fiction in the twentieth century, Robbe-Grillet is also a highly acclaimed filmmaker whose works include Last Year at Marienbad, L'Immortelle, Trans-Europ-Express, and The Progressive Slidings of Pleasure. Robbe-Grillet is a visionary who seeks to discover unfamiliar ways of seeing and interpreting. His films, like his novels, challenge the limits of expected narrative structures and question the comfortable assumptions of conventional realism. In the interviews, conducted from 1982 until 1991, Fragola and Smith examine all nine of the films that Robbe-Grillet has created, specifically exploring the cultural milieu to which they are so closely and problematically related. This is the first such work in which Robbe-Grillet comprehensively discusses his views on aesthetics, philosophy, sociology, and literature as well as on filmmaking. The reader is encouraged to view him from a variety of perspectives: as the auteur who probes various stylistic techniques and devices, especially the use of eroticism as a structural metaphor; as the international artist who discusses the complex structures, allusions, and thematic intentions that occur in his films; as the detached observer exploring his own use of stereotypes and myths; and as the impassioned creator who defends and explains his position concerning the controversial depiction of sado-eroticism in his films. This book conveys a wide awareness and keen appreciation of Robbe-Grillet'sfilms, especially to American audiences where they are least known. Certain to be a lasting tribute to Robbe-Grillet's cinematic work, it will encourage informed discussion among students and scholars. The book includes a gallery of illustrations from Robbe-Grillet's films as well as a filmography and bibliography of his work and works about him. |
Inni boken
Resultat 1-3 av 18
Side 43
... allusions to the one about whom he speaks . The relationship is constantly conflictual : he might help him or then again he might kill him or else protect him and so on . Both men also have the same voice . The main actor is Jean ...
... allusions to the one about whom he speaks . The relationship is constantly conflictual : he might help him or then again he might kill him or else protect him and so on . Both men also have the same voice . The main actor is Jean ...
Side 58
... allusions to other filmmakers exist , as well as allusions to materials other than those of filmmaking , such as the novel , theater , and pictorial art , in particular to the painter Mondrian and other painters . Eden and After also ...
... allusions to other filmmakers exist , as well as allusions to materials other than those of filmmaking , such as the novel , theater , and pictorial art , in particular to the painter Mondrian and other painters . Eden and After also ...
Side 145
... allusions to painters in Eden and After . There are allusions to Shakespeare in this and several of your films . In La Belle Captive , allusions abound as well - Magritte and Manet , of course , but also Cocteau ; the detective film ; a ...
... allusions to painters in Eden and After . There are allusions to Shakespeare in this and several of your films . In La Belle Captive , allusions abound as well - Magritte and Manet , of course , but also Cocteau ; the detective film ; a ...
Innhold
Introduction | 1 |
TransEuropExpress | 34 |
The Man Who Lies | 41 |
Opphavsrett | |
10 andre deler vises ikke
Andre utgaver - Vis alle
The Erotic Dream Machine: Interviews with Alain Robbe-Grillet on His Films Anthony N. Fragola,Roch Charles Smith Ingen forhåndsvisning tilgjengelig - 1992 |
Vanlige uttrykk og setninger
actor Alain Robbe-Grillet American appear AR-G asked audience become beginning Belle Captive called camera Catherine character cinema color completely continuity course create critics diegesis directed director dream Eden editing effect elements entire everything exactly example exist explain fact film filmmaker France French hand idea imagination important included interesting Italy kind L'Immortelle La Belle Captive Last later less Lies look Marienbad material meaning montage narration narrative nature never novel objects Opera original painting Paris particular perhaps play Playing With Fire possible producer Progressive Slidings question realism reality reference relationship Resnais role scene script seems sense shooting shot Slidings Slidings of Pleasure sound speak story structure theme thought Translated Trintignant true University viewer wanted woman women write written wrote York young