The erotic dream machine: interviews with Alain Robbe-Grillet on his films
Southern Illinois University Press, 1. sep. 1992 - 190 sider
In a revealing series of interviews, Anthony N. Fragola and Roch C. Smith examine all nine of Robbe-Grillet’s films, specifically exploring the cultural milieu to which the films are closely related.
Readers are encouraged to view Robbe-Grillet from a variety of perspectives: as the auteur who probes various stylistic techniques and devices, especially the use of eroticism as a structural metaphor; as the international artist; as the detached observer; and as the impassioned creator.
The nine films covered are Last Year at Marienbad, L’Immortelle, Trans-Europ-Express, The Man Who Lies, Eden and After, N Took the Dice, The Progressive Slidings of Pleasure, Playing with Fire, and La Belle Captive.
Along with interviews available nowhere else, this book includes a gallery of illustrations from Robbe-Grillet’s films as well as a filmography and bibliography of work by and about Robbe-Grillet.
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The camera moves with graceful fluidity past the ornate ceilings and weaves
among guests who are either immobile or exchanging fragments of dialogue. At
times the camera seems to reflect the perspective of X (Giorgio Albertazzi) but
The camera in Marienbad is extremely mobile and fluid, whereas the camera
movements in L'Immortelle are stiff by design. L'Immortelle intends to give an
impression of a fixed shot: suddenly there occurs a mechanical movement of the
I said, "Camera," and the camera operator immediately began shooting for a brief
moment. But the cinematographer stopped the camera because it was a shot he
had not lit! I nevertheless kept the little footage we did obtain. Ironically, the shot ...
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The Man Who Lies
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