The Erotic Dream Machine: Interviews with Alain Robbe-Grillet on His FilmsSouthern Illinois University Press, 1992 - 190 sider In this revealing series of interviews with Alain Robbe-Grillet, Anthony N. Fragola and Roch C. Smith provide an intimate, perceptive profile of the artist. Known primarily as a writer whose experimental novels have had a major influence on the writing of fiction in the twentieth century, Robbe-Grillet is also a highly acclaimed filmmaker whose works include Last Year at Marienbad, L'Immortelle, Trans-Europ-Express, and The Progressive Slidings of Pleasure. Robbe-Grillet is a visionary who seeks to discover unfamiliar ways of seeing and interpreting. His films, like his novels, challenge the limits of expected narrative structures and question the comfortable assumptions of conventional realism. In the interviews, conducted from 1982 until 1991, Fragola and Smith examine all nine of the films that Robbe-Grillet has created, specifically exploring the cultural milieu to which they are so closely and problematically related. This is the first such work in which Robbe-Grillet comprehensively discusses his views on aesthetics, philosophy, sociology, and literature as well as on filmmaking. The reader is encouraged to view him from a variety of perspectives: as the auteur who probes various stylistic techniques and devices, especially the use of eroticism as a structural metaphor; as the international artist who discusses the complex structures, allusions, and thematic intentions that occur in his films; as the detached observer exploring his own use of stereotypes and myths; and as the impassioned creator who defends and explains his position concerning the controversial depiction of sado-eroticism in his films. This book conveys a wide awareness and keen appreciation of Robbe-Grillet'sfilms, especially to American audiences where they are least known. Certain to be a lasting tribute to Robbe-Grillet's cinematic work, it will encourage informed discussion among students and scholars. The book includes a gallery of illustrations from Robbe-Grillet's films as well as a filmography and bibliography of his work and works about him. |
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Side 28
... character is changing place , but that the character will not have a constant motion — he will slow down , accelerate , turn around — and that he , the cameraman , must carry out a perfectly regular movement as if the character were in ...
... character is changing place , but that the character will not have a constant motion — he will slow down , accelerate , turn around — and that he , the cameraman , must carry out a perfectly regular movement as if the character were in ...
Side 30
... character bending down to pick up the paper , show him looking at it and unfolding it , provide a close - up of what he sees - which is to say the blank paper without any address — and then return to the shot that shows him throwing ...
... character bending down to pick up the paper , show him looking at it and unfolding it , provide a close - up of what he sees - which is to say the blank paper without any address — and then return to the shot that shows him throwing ...
Side 184
... ( character ) , 16. See also Alvina , Anicée Cassavettes , John , 126 Catholic church , 45 , 80 Censorship , 47 , 72-73 . See also Por- nography Centre National du Cinéma , 139 Chabrol , Claude , 133 Channel Four ( London ) , 135 Chateau ...
... ( character ) , 16. See also Alvina , Anicée Cassavettes , John , 126 Catholic church , 45 , 80 Censorship , 47 , 72-73 . See also Por- nography Centre National du Cinéma , 139 Chabrol , Claude , 133 Channel Four ( London ) , 135 Chateau ...
Innhold
Introduction | 1 |
TransEuropExpress | 34 |
The Man Who Lies | 41 |
Opphavsrett | |
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The Erotic Dream Machine: Interviews with Alain Robbe-Grillet on His Films Anthony N. Fragola,Roch Charles Smith Ingen forhåndsvisning tilgjengelig - 1992 |
Vanlige uttrykk og setninger
actor Alain Robbe-Grillet American appear AR-G asked audience become beginning Belle Captive called camera Catherine character cinema color completely continuity course create critics diegesis directed director dream Eden editing effect elements entire everything exactly example exist explain fact film filmmaker France French hand idea imagination important included interesting Italy kind L'Immortelle La Belle Captive Last later less Lies look Marienbad material meaning montage narration narrative nature never novel objects Opera original painting Paris particular perhaps play Playing With Fire possible producer Progressive Slidings question realism reality reference relationship Resnais role scene script seems sense shooting shot Slidings Slidings of Pleasure sound speak story structure theme thought Translated Trintignant true University viewer wanted woman women write written wrote York young