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CAMBRIDGE UNIVERSITY PRESS WAREHOUSE
C. F. CLAY, MANAGER.

London: FETTER LANE, E.C.
Glasgow: 50, WELLINGTON STREET.

Leipzig: F. A. BROCKHAUS.
New York: THE MACMILLAN COMPANY.
Bombay and Calcutta: MACMILLAN AND CO., LTD.

[All Rights reserved]

IN

PREFATORY NOTE.

N the present edition of Crabbe's Poems the general arrangement adopted is that of the chronological order of publication. The poem entitled Midnight has been inserted at a conjectural date as belonging to the period of the Juvenile Poems (1772-1780); but all other poems contained in this edition which have hitherto remained unpublished will be printed after the published poems, in the sequence of their production so far as this is ascertainable. With the poems hitherto unpublished I have also been fortunate enough to obtain permission to include in a later volume, among other posthumously printed pieces, the Two Poetical Epistles by Crabbe, first published, from a manuscript in the collection of Mr Buxton Forman, in Vol. 11 of Literary Anecdotes of the Nineteenth Century edited by W. Robertson Nicoll and Thomas J. Wise (London, 1896). From the second of these Epistles were taken, but not in their original order, the ten lines reproduced in the present volume from George Crabbe the younger's 1834 edition of his father's Poems.

The earliest of the Juvenile Poems here printed are taken from The Lady's Magazine, or Entertaining Companion for the Fair Sex, appropriated solely to their Use and Amusement, for the year 1772, printed at London for Robinson and Roberts, 25 Paternoster Row. The

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first volume of this Magazine seems to have been that for the year 1770, and to have comprised the numbers from August to December inclusive; but the earlier portion of this volume had been previously published in the same year 1770 under the same title by J. Wheble at 20 Paternoster Row, by whom letters to the Editor are requested and received.' This then must be the 'Wheble's Magazine for 1772,' of which George Crabbe the younger in the Life prefixed to the 1834 edition of his father's Poems (p. 22) states that he had after long search discovered a copy. The Magazine seems itself to have been a revival of an earlier Lady's Magazine, of which portions of the volumes for 1760 and 1761 are extant, and which, according to the title-page of the volume for 1761, was printed for J. Wilkie at the Bible in St Paul's Churchyard.

But the younger Crabbe's account of his father's verses in 'Wheble's Magazine for 1772' does not tally with the actual contents of the volume for 1772 of The Lady's Magazine which has been used for the present edition. It is possible, of course, though there is no evidence to support the supposition, that The Lady's Magazine published by Wheble was continued at all events till 1772, parallel to The Lady's Magazine published by Robinson and Roberts, with which in 1770 it had been in some measure blended. It is equally possible that the younger Crabbe made some mistake or mistakes. In any case, his statement is, that Wheble's Magazine for 1772 contains besides the prize poem on Hope,' from which he proceeds to quote the concluding six lines, four other pieces, signed "G. C., Woodbridge, Suffolk," "To Mira,' "The Atheist reclaimed," "The Bee," and "An Allegorical Fable." The volume published by Robinson and Roberts contains no pieces corresponding to these, except that in

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its October number there is printed an Essay on Hope, in which the lines cited by the younger Crabbe and reprinted, on his authority, in the present edition, do not appear, but of which the concluding lines seem to imply that it was a copy of verses written in competition for a prize. It cannot however be by Crabbe. For it is signed 'C. C., Rotherhithe, 1772'; and the July number of the same volume contains a piece of verse of some length entitled The Rotherhithe Beauties and signed 'C. C., Rotherhithe, July 15,' which is certainly not by Crabbe; and later in the volume follows another piece entitled Night, signed 'C. C., Rotherhithe, November 19, 1772,' which likewise cannot be attributed to Crabbe.

On the other hand the 1772 volume of The Lady's Magazine contains certain pieces of verse which may without hesitation be assigned to him, and which are accordingly reprinted in the present edition. These are, in the September number, Solitude and A Song, which bear as a signature the quasi-anagram G. EBBARE'; in the October number, the lines To Emma, with the quasi-anagram G. EBBAAC' and the date 'Suffolk'; and, in the November number, Despair, Cupid, and a Song, signed with the earlier form 'G. EBBARE.' This Song is followed by some lines in blank verse On the Wonders of Creation, and, further on, by some stanzas To Friendship, likewise signed 'C. C.'; but manifestly neither blank verse nor stanzas are by Crabbe.

Finally, it should be noted that in the October number in the same volume the following occurs among the notices To our Correspondents: The birth of a Maccaroni, by Ebbare, in the style of the Scriptures, seems to be taking too great a liberty with things sacred; and it is our maxim, as far as possible, to abstain from every appearance of evil.' The Lady's

Magazine continued to be published by Robinson and Roberts for many subsequent years; and it is a curious coincidence that No. 5 of Vol. XLVII (for May, 1816) contains some stanzas entitled Myra's Wedding-Day.

The remaining Juvenilia printed in the present edition are partly reproduced from the Fragments of Verse, from Mr Crabbe's early Note-Books in Vol. II of the 1834 edition, partly from the Life in Vol. 1 of the same. The lines On the Death of William Springall Levett are quoted in the latter from Green's History of Framlingham, which has been compared.

Of the poems which follow in the present volume, Inebriety is here printed from a copy of the quarto of 1775, which lacks a title-page and which bears on p. 1 the following deprecation in Crabbe's handwriting: NB.-pray let not this be seen at [cipher] there is very little of it that I'm not heartily asham'd of.' The imprint of the title-page here given is taken from the Life (1834, p. 28).

Midnight, a Poem, is now first printed from the original manuscript which formed part of Dawson Turner's collection, in which it was numbered 121 at the sale of Dawson Turner's manuscripts in June, 1859. Its handwriting, as Professor Dowden points out, is identical with that of a facsimile in a passage from the Two Epistles mentioned above, given in the Literary Ancedotes of the Nineteenth Century.

The Candidate is printed from the edition of 1834 (Vol. 11, Appendix). This poem is not included in the edition of 1823, and after a long quest it has proved impossible to obtain a copy of the original edition of 1780 (published in quarto by H. Payne, opposite Marlborough House, Pall Mall). This edition is not in the British Museum. It was only possible to compare the forty-six lines of the poem quoted in The Monthly

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