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Deformities of Dr Samuel Johnson: Selected from His Works
James Thomson Callender
Uten tilgangsbegrensning - 1782
absurd admirers amphibological animal antient Arbuthnot assertion Bard beauties body Brigantine Cauliflower censure character Chesterfield confounded contempt contradiction critic Cuckold darkness Decemviri defined definitions deformed diction Doctor Dr Johnson Dr Samuel Johnson Drum Dryden elegance endeavour enemies England English equal esteem Excise explain fame fays fellow fiddle Flatulence folio dictionary Gaelic genius Gray Gray's Herculaneum honour Horace Hudibras human Ibid Idler ignorant insult Johnson's dictionary laboured language learning less letter lines maidenhead mankind mean Milton nail never nonsense nose Numskull octavo passage pastoral peculiar pedant perhaps Pericranium peruse plain Plutarch poem poet poetry political Pope Pope's porridge powers praise quoted Rambler reader remark rest ridiculous Roman Roman Legion Roman republic Scotland seems seen Shakespeare Shaw shews Speaking specimen stile Swift tell Theobald ther thing thousand tion truth verses Vide Whig whore woman words writer
Side 17 - The mind of the writer seems to work with unnatural violence. Double, double, toil and trouble. He has a kind of strutting dignity, and is tall by walking on tiptoe. His art and his struggle are too visible, and there is too little appearance of ease and nature.
Side 17 - Gray thought his language more poetical as it was more remote from common use: finding in Dryden honey redolent of Spring, an expression that reaches the utmost limits of our language, Gray drove it a little more beyond common apprehension, by making gales to be redolent of joy and youth.
Side 54 - He has scenes of undoubted and perpetual excellence, but perhaps not one play, which, if it were now exhibited as the work of a contemporary writer, would be heard to the conclusion.
Side 5 - ... habit and cuftom cannot be faid to be the caufe of beauty, it is certainly the caufe of our liking it: and I have no doubt but that if we were more ufed to deformity than beauty...
Side 55 - If any one asks me, what this solidity is, I send him to his senses to inform him : let him put a flint or a football between his hands, and then endeavor to join them, and he will know.
Side 20 - Bard more force, more thought, and more variety. But to copy is less than to invent, and the copy has been unhappily produced at a wrong time. The fiction of Horace was to the Romans credible; but its revival disgusts us with apparent and unconquerable falsehood.
Side 49 - In hope of giving longevity to that which its own nature forbids to be immortal, I have devoted this book, the labour of years, to the honour of my country, that we may no longer yield the palm of philology, without a contest, to the nations of the continent.
Side 10 - ... Gulliver's Travels ; all of which have justly been considered as master-pieces in the different departments to which they relate. Johnson, indeed, in referring to the Memoirs of Scriblerus, has asserted,* that " this joint production of three great writers has never obtained any notice from mankind ; that it has been little read, or when read has been forgotten, as no man could be wiser, better, or merrier for remembering it...