The Complete Works of Sir Joshua Reynolds, First President of the Royal Academy: With an Original Memoir, and Anecdotes of the Author : in Three VolumesT. M'Lean, 1824 |
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Side xxiii
... thought struck him of taking the portraits of his companions , and group- ing them in a sort of burlesque imitation of the celebrated picture which had occupied so much of his notice . Having formed his sketch , he showed it to his ...
... thought struck him of taking the portraits of his companions , and group- ing them in a sort of burlesque imitation of the celebrated picture which had occupied so much of his notice . Having formed his sketch , he showed it to his ...
Side xxix
... thought , or had not the power , of enlivening the canvass , by giving a kind of historic air to their pictures . Reynolds very soon saw how much admiration might be obtained by deviating from the insipid manner of his immediate ...
... thought , or had not the power , of enlivening the canvass , by giving a kind of historic air to their pictures . Reynolds very soon saw how much admiration might be obtained by deviating from the insipid manner of his immediate ...
Side xlii
... on the contrary , to be always scenting for new thoughts , such as would never occur to men in the situation which is repre- sented , This also is frequently the practice of Homer , who , from the midst of battles and xlii MEMOIRS OF.
... on the contrary , to be always scenting for new thoughts , such as would never occur to men in the situation which is repre- sented , This also is frequently the practice of Homer , who , from the midst of battles and xlii MEMOIRS OF.
Side xlviii
... thought Reynolds unequal to the style of composition exhibited in these classical performances , might safely have been referred , for the correction of their judgment , to his papers in the Idler , the Memoranda of his Pictorial Tours ...
... thought Reynolds unequal to the style of composition exhibited in these classical performances , might safely have been referred , for the correction of their judgment , to his papers in the Idler , the Memoranda of his Pictorial Tours ...
Side lxv
... thought of taking the story of Queen Elizabeth at the Camp of Tilbury for his subject , but , that upon farther consideration he relinquished it for something emblematical of the great princess by whom he was employed . He therefore ...
... thought of taking the story of Queen Elizabeth at the Camp of Tilbury for his subject , but , that upon farther consideration he relinquished it for something emblematical of the great princess by whom he was employed . He therefore ...
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acquired admirable Albert Durer ancient Annibale Caracci appear artist attain attention called Carlo Maratti character Claude Lorrain colours composition considered contrary copy Correggio defects degree dignity DISCOURSE distinguished drapery drawing dress effect elegance endeavour equal excellencies exhibition expression favour figure genius give grace grandeur greatest habits history painting idea of beauty imagination imitation invention Johnson justly kind knowledge labour learned light Majesty manner masters means merit Michael Angelo mind modern Mount Edgecumbe nature never object observed occasion opinion ornaments painter painting particular passions Paul Veronese peculiar Pellegrino Tibaldi perfection Phidias picture portrait possessed Poussin practice precepts prejudices president principles produced profession Raffaelle reason Rembrandt respect Royal Academy Rubens Samuel Reynolds shadow Shakspeare simplicity Sir Joshua Reynolds style sublime suppose taste thing thought Tintoret tion Titian true truth variety Venetian Venetian school Veronese whilst whole wish