Anecdotes of Some Distingushed Persons: Chiefly of the Present and Two Preceding Centuries, Volum 2T. Cadell and W. Davies, 1796 |
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Side 234
... . Chapelain got fomething more for himfelf , and that , amongst other reasons , procured him the hatred and envy of his contemporaries and country- men . JOHN JOHN THE FOURTH , DUKE OF BRAGANZA , AFTERWARDS KING 234 ANECDOTES OF SOME.
... . Chapelain got fomething more for himfelf , and that , amongst other reasons , procured him the hatred and envy of his contemporaries and country- men . JOHN JOHN THE FOURTH , DUKE OF BRAGANZA , AFTERWARDS KING 234 ANECDOTES OF SOME.
Side 235
... BRAGANZA , AFTERWARDS KING OF PORTUGAL . THE Portuguese , tired of the tyranny which Philip the Second and his fucceffors exercised over them , offered the crown of that kingdom to John Duke of Braganza . He refused it at first , but ...
... BRAGANZA , AFTERWARDS KING OF PORTUGAL . THE Portuguese , tired of the tyranny which Philip the Second and his fucceffors exercised over them , offered the crown of that kingdom to John Duke of Braganza . He refused it at first , but ...
Side 236
... Duke of Braganza as King of Portugal , fent Ambaffadors to him , and received in their turn his Ambaffadors ; fol- lowing the maxim of the learned Grotius , " that " a Prince does not ftipulate for himself , but for the people under his ...
... Duke of Braganza as King of Portugal , fent Ambaffadors to him , and received in their turn his Ambaffadors ; fol- lowing the maxim of the learned Grotius , " that " a Prince does not ftipulate for himself , but for the people under his ...
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Anecdotes of Some Distingushed Persons: Chiefly of the Present and ..., Volum 1 William Seward Uten tilgangsbegrensning - 1796 |
Anecdotes of Some Distingushed Persons: Chiefly of the Present and ..., Volum 3 William Seward Uten tilgangsbegrensning - 1796 |
Anecdotes of Some Distingushed Persons: Chiefly of the Present and ..., Volum 4 William Seward Uten tilgangsbegrensning - 1796 |
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Side 326 - What the back-ground is in painting, in architecture is the real ground on which the building is erected ; and no architect took greater care than he that his work should not appear crude and hard : that is, it did not abruptly start out of the ground without expectation or preparation.
Side 365 - ... them in a superior manner did not always preserve, when they delineated individual nature. His portraits remind the spectator of the invention of history, and the amenity of landscape.
Side 20 - Turks' man of war tacked about, and we continued our course. But when your father saw it convenient to retreat, looking upon me, he blessed himself, and snatched me up in his arms, saying, ' Good God, that love can make this change !' and though he seemingly chid me, he would laugh at it as often as he remembered that voyage.
Side 62 - A fiery soul, which, working out its way, Fretted the pigmy body to decay, And o'er-informed the tenement of clay...
Side 47 - ... make a portrait of Proteus, or to define the figure of the fleeting air. Sometimes it lieth in pat allusion to a known story, or in seasonable application of a trivial saying, or in forging an apposite tale; sometimes it playeth in words and phrases, taking advantage from the ambiguity of their...
Side 49 - It raiseth admiration, as signifying a nimble sagacity of apprehension, a special felicity of invention, a vivacity of spirit, and reach of wit more than vulgar; it seeming to argue a rare quickness of parts, that one can fetch in remote conceits applicable; a notable skill, that he can dexterously accommodate them to the purpose before him; together with a lively briskness of humour, not apt to damp those sportful flashes of imagination.
Side 16 - ... if I would ask my husband privately, he would tell me what he found in the packet, and I might tell her. I, that was young and innocent, and to that day had never in my mouth
Side 19 - ... which would make the Turks think we were a man-of-war, but if they saw women they would take us for merchants and board us. He went upon...
Side 324 - Vanbrugh , and is a good example of his heavy though imposing style (*Lie heavy on him, Earth, for he Laid many a heavy load on thee"), with a Corinthian portico in the centre and two projecting wings.
Side 48 - ... from a lucky hitting upon what is strange, sometimes from a crafty wresting obvious matter to the purpose; often it consisteth in one knows not what and springeth up one can hardly tell how. Its ways are unaccountable and inexplicable, being answerable to the numberless rovings of fancy and windings of language.