 | 1787 - 534 sider
...invention is fei off to the great, elt advantage. What the back-ground is in painting, in architciturc, is the real ground on which the building is erected ; and no architect took gi-eater care that hi» work ihould not appear crude and hard ; that is, it did not abruptly itart... | |
 | William Seward - 1795 - 684 sider
...third groirpes or maffi.'S. He perfectly -** underftood in his art, what is the moft difficult " iri ours — • the conduct of the back-ground, " by...Architecture is " the real ground on which the building is *' ere&ed ; and no Architect took greater care " that his Work fhould not appear crude and " hard,... | |
 | William Seward - 1796 - 418 sider
...underftood light and fhadow, *' and had great fkill in compofition. To fup" port his principal object, he produced his fecond " and third groupes or mafles....** back-ground is in painting, in Architecture is *c the real ground on which the building is " erected; and no Architect took greater care ** that his... | |
 | William Seward - 1798 - 536 sider
...understood light and " fhadow, and had great iki|l in compofition. " To fupport his principal object, he produced " his fecond and third groupes or mafles....conduct of the " back-ground, by which the defign and inven" tion are fet off to the greateft advantage. " What the back-ground is in painting, in " Architecture... | |
 | sir Joshua Reynolds - 1801 - 450 sider
...ours, the conduct of the back-ground ; by which the design and invention is set off to the greatest advantage. What the back-ground is in Painting, in...building is erected; and no Architect took greater care than he that his work should not appear crude and hard: that is, it did not abruptly start out of the... | |
 | Sir Joshua Reynolds, Edmond Malone - 1801 - 452 sider
...ours, the conduct of the back-ground ; by which the design and invention is set off to the greatest advantage. What the back-ground is in Painting, in...building is erected; and no Architect took greater care than he that his work should not appear crude and hard: that is, it did not abruptly start out of the... | |
 | William Seward - 1804 - 492 sider
...under" ftood in his art, what is the moft difficult iji "oars — the conduct of the back- ground, by " which the defign and invention are fet off to...ground '.' on which the building is erected ; and no Ar" chitect took greater care that his Work fhould " not appear crude and hard, that is, that it did... | |
 | Alexander Chalmers - 1816 - 528 sider
...hack-ground, by which the design and invention are set off to the greatest advantage. What the hack-ground is in painting, in architecture is the real ground...is erected; and no architect took greater care that liis work should not appear crude and hard, that is, that it did not abruptly start out of the ground... | |
 | sir Joshua Reynolds - 1819 - 440 sider
...ours, the conduct of the back-ground ; by which the design and invention is set off to the greatest advantage. What the back-ground is in Painting, in...building is erected ; and no Architect took greater care than he that his work should not appear crude and hard : that is, it did not abruptly start out of... | |
 | Sir Joshua Reynolds - 1819 - 446 sider
...ours, the conduct of the back-ground ; by which the design and invention is set off to the greatest advantage. What the back-ground is in Painting, in...building is erected; and no Architect took greater care than he that his work should not appear crude and hard : that is, it did not abruptly start out of... | |
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What the back-ground is in painting, in architecture is the real ground on which the building is erected ; and no architect took greater care than he that his work should not appear crude and hard : that is, it did not abruptly start out of the ground... 
