Werner's Magazine: A Magazine of Expression, Volum 19Werner's Magazine Company, 1897 |
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Side 5
... beginning of each series , as , for ex- ample , do , mi , sol , do . The exer- cises for the body and the lower limbs should be developed through the tone - utterance as well , using for each series in the above order , sus- tained ...
... beginning of each series , as , for ex- ample , do , mi , sol , do . The exer- cises for the body and the lower limbs should be developed through the tone - utterance as well , using for each series in the above order , sus- tained ...
Side 57
... beginnings of speech . His article was summarized in these columns and is doubtless remembered by the reader . In the ... beginning with nasals , which are not true consonants in the strict sense , and then leading on to sounds like pa ...
... beginnings of speech . His article was summarized in these columns and is doubtless remembered by the reader . In the ... beginning with nasals , which are not true consonants in the strict sense , and then leading on to sounds like pa ...
Side 61
... beginning of technic , and mostly singing in time and the right notes besides , then off they go ! This is an everyday experience - half finish ! They are so well satisfied with themselves that they are to be envied . There are , again ...
... beginning of technic , and mostly singing in time and the right notes besides , then off they go ! This is an everyday experience - half finish ! They are so well satisfied with themselves that they are to be envied . There are , again ...
Side 67
... beginning July 21 , Aug. 2 and 14 , and eight performances of " Parsifal , " on July 19 , 27 , 28 , 30 , and Aug. 8 , 9 , 11 and 19. The curtain rises at 4 P.M. , and falls at 10 P. M. , with an hour's intermis- sion between each act ...
... beginning July 21 , Aug. 2 and 14 , and eight performances of " Parsifal , " on July 19 , 27 , 28 , 30 , and Aug. 8 , 9 , 11 and 19. The curtain rises at 4 P.M. , and falls at 10 P. M. , with an hour's intermis- sion between each act ...
Side 81
... beginning of the famous combination of artists which Messrs . Abbey and Grau secured practically en bloc for our Metropolitan Opera - House . The rest is recent operatic history . Conner president . Monthly meetings are held at . which ...
... beginning of the famous combination of artists which Messrs . Abbey and Grau secured practically en bloc for our Metropolitan Opera - House . The rest is recent operatic history . Conner president . Monthly meetings are held at . which ...
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actor æsthetic American artistic audience autogram beauty body breath called CAPT character chest composers culture Demosthenes dramatic Dudley Buck elocution elocutionist emotion English Eugene Field exercises expression eyes feel gave gesture girl give Gunga Din hand hear heard heart human voice idea James Whitcomb Riley lady larynx Laura Sedgwick Collins listen literature look matter means melody ment mind Miss Muckey muscles musical recitations musician nature never opera orator oratory organs pantomime person pharynx phonograph physical piano pitch play poem poet practice Prof pupils reader scene Shakespeare singers singing sion song soul sound speak speech stage stammering student success sweet teach teacher tell thing thought throat tion tone true vocal cords voice vowel words writing York young
Populære avsnitt
Side 399 - IF the red slayer think he slays, Or if the slain think he is slain, They know not well the subtle ways I keep, and pass, and turn again. Far or forgot to me is near; Shadow and sunlight are the same ; The vanished gods to me appear; And one to me are shame and fame. They reckon ill who leave me out ; When me they fly, I am the wings ; I am the doubter and the doubt, And I the hymn the Brahmin sings.
Side 397 - Wha will be a traitor knave? Wha can fill a coward's grave? Wha sae base as be a slave? Let him turn and flee! Wha, for Scotland's King and Law, Freedom's sword will strongly draw, Free-man stand, or Free-man fa', Let him on wi
Side 537 - Trust not for freedom to the Franks, — They have a king who buys and sells. In native swords and native ranks The only hope of courage dwells; But Turkish force and Latin fraud Would break your shield, however broad.
Side 398 - TIGER! Tiger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire?
Side 319 - O hark, O hear ! how thin and clear, And thinner, clearer, farther going ! O sweet and far from cliff and scar The horns of Elfland faintly blowing ! Blow, let us hear the purple glens replying: Blow, bugle ; answer, echoes, dying, dying, dying.
Side 398 - On Linden, when the sun was low, All bloodless lay the untrodden snow, And dark as winter was the flow Of Iser, rolling rapidly.
Side 206 - Or man, or woman. Yet I argue not Against Heaven's hand or will, nor bate a jot Of heart or hope, but still bear up and steer Right onward.
Side 537 - You have the Pyrrhic dance as yet, Where is the Pyrrhic phalanx gone? Of two such lessons, why forget The nobler and the manlier one? You have the letters Cadmus gave, — Think ye he meant them for a slave?
Side 566 - With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon.
Side 397 - Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee...